Roland RS-70 オーナーマニュアル
88
Using the sequencer to create patterns (Pattern mode)
C.AFT:
Channel Aftertouch
BEND:
Pitch Bend
Value
Specifies how much the data will be thinned. If you are thinning data
in which rapid changes occur, use higher settings for this parameter.
in which rapid changes occur, use higher settings for this parameter.
Value:
0–99
Time
Specifies the time interval at which the data will be thinned. If you
are thinning data that changes gradually, use higher settings for this
parameter.
are thinning data that changes gradually, use higher settings for this
parameter.
Value:
0–99
Initializing the parameters of a
pattern (PTN INIT)
This operation initializes the pattern settings.
Since all pattern parameters will be initialized, this is convenient
when you want to create a pattern from scratch.
when you want to create a pattern from scratch.
fig.r06-60g
The Initialize operation applies only to the currently selected
pattern; it will not change the content of other patterns stored in
user memory. If you want to restore all settings to the factory-set
condition, execute the Factory Reset operation (p. 20).
pattern; it will not change the content of other patterns stored in
user memory. If you want to restore all settings to the factory-set
condition, execute the Factory Reset operation (p. 20).
Creating your own user arpeggio
style (PTN
style (PTN
→
ARP CONV
)
To create a user arpeggio style, you specify a portion of a pattern and
convert that into a style. This means that in order to create your own
user arpeggio style, you must first create a user pattern. For details
on creating a user pattern, refer to
convert that into a style. This means that in order to create your own
user arpeggio style, you must first create a user pattern. For details
on creating a user pattern, refer to
fig.r06-27
1.
Press [PATTERN] so it is lit and you are in Pattern mode.
2.
Choose the pattern you wish to convert to the arpeggio
style.
3.
Press [UTILITY].
4.
Use PAGE/CURSOR [
]/[
] to select “12: PTN
→
ARP
CONV.”
5.
Press [ENTER].
fig.r06-27
A screen will appear in which you can convert the data into a
user arpeggio style.
user arpeggio style.
6.
Use PAGE/CURSOR [
]/[
] to move the cursor, and use
VALUE [-]/[+] to specify the value.
You can set the following parameters.
Part
Select the part whose data you wish to convert.
Value:
1–16
You can also select the part by pressing [0]–[9] or by holding
down [SHIFT] and pressing [1]–[6].
down [SHIFT] and pressing [1]–[6].
Meas (Measure)
Specify the range of measures that you want to convert to a user
arpeggio style.
arpeggio style.
VALUE
Meas:
Specify the starting number of the measures to
be converted.
be converted.
for:
Specifies the number of measures to be
converted. You cannot set this to a length that is
longer than the current pattern. If you select
“ALL,” data from the measure you specified for
converted. You cannot set this to a length that is
longer than the current pattern. If you select
“ALL,” data from the measure you specified for
Meas
to the last measure of the pattern will be
converted to a user arpeggio style.
To
Specify the user arpeggio style number in which the selected
pattern is to be registered. You can register up to eight user
arpeggio styles.
pattern is to be registered. You can register up to eight user
arpeggio styles.
Value:
UserStyle 1–UserStyle 8
Be aware that if you choose a number in which a user arpeggio
style has already been saved, the previously saved settings will
be overwritten and lost.
style has already been saved, the previously saved settings will
be overwritten and lost.
7.
When you have finished setting the parameters, press
[ENTER] to confirm your settings.
The pattern will be converted to a user arpeggio style.
When all the data has been converted to the user arpeggio style, the
display will indicate “COMPLETED.”
display will indicate “COMPLETED.”
Of the pattern data, only the differences in note pitch (the pitch
difference relative to the first-pressed key), timing, and bender
information are used. All remaining data is ignored by the
conversion.
difference relative to the first-pressed key), timing, and bender
information are used. All remaining data is ignored by the
conversion.
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