Wiley Color Correction For Digital Photographers Only 978-0-471-77986-5 ユーザーズマニュアル

8-bit images. See also JPEG format

converting to 16-bit images, 114–115, 137
overview, 12
remapping the white point for, 113–114

1-bit line art, printing, 366
16-bit images

converting 8-bit images to, 114–115, 137
overview, 12

12-bit images, 12

Abbott, Berenice (photographer), 284
Absolute Colorimetric color conversion, 37, 38
ACE (Adobe Color Engine), 36–37
ACR-Calibrator script, 259–261
Actions

palette group for, creating, 7
playing, 7–8
for resizing images, creating, 6–7

Adams, Ansel (photographer), 4, 340
adjustment layers. See also blend modes

for converting color to grayscale, 288–295
for Hue/Saturation changes, 162
for increasing contrast, 103, 105
layer masks, 25, 291
for Levels dialog box, 244
for overexposure color correction, 151, 153, 154
overview, 24–25
Photo Filter, 318, 319
for selection masks, 162
for white balance correction, 147, 244

Adobe Bridge

auto launching from Photoshop, 75–76
batch processing Camera Raw settings, 84–85
color settings adjustments in, 19
converting Camera Raw to DNG using, 53–55
setting Camera Raw preferences, 58–60
setting preferences for, 55–58
tooltips, 55

(Sheppard), 46

Adobe Color Engine (ACE), 36–37
Adobe Gamma calibration tool, 31–32
Adobe Open dialog box, 72–74
Adobe RGB (1998) color working profile, 17–18

aerial photography

basic edits, 177–179
colorcasts common to, 177–178
haze and, 176, 179
problems common to other shots, 176
screen view and, 180
sharpening, 179–182

alpha channel

creating with Calculations dialog box, 193
for high-key images, 302–305
Lens Blur filter with, 330, 334

antialiasing filter, moiré patterns from, 263
Apple CMM color engine, 37
Apple Color Sync color engine, 37
Apply Image command

multiple duplicate layers technique with, 210–212
Screen mode with, 210–211, 214, 322

Arbus, Diane (photographer), 140
archiving files, format for, 52
artifacts, eliminating, 135–136
Assign Profile dialog box, 20–21
assuming a profile, 36, 39–40
Auto Color Corrections dialog box, 98

batch processing, 84–85
Bicubic resampling mode, 8
Bicubic Sharper resampling mode, 9
Bicubic Smoother resampling mode, 9
Bilinear resampling mode, 8
bit depth. See also specific bit depths

Camera Raw versus JPEG and, 48–49
for editing Camera Raw files, 60
overview, 12
Shadow/Highlight command and, 116

black point. See white and black points
black-and-white photos. See also converting color to

grayscale

color mode for printing, 314
colorizing, 306–313
high-key darkroom techniques for, 302–305
negatives, copying, 271–273
1-bit line art, 366
printing, 314, 364–366, 376
shooting infrared photography, 297–298, 314
simulating an infrared shot, 298–301

19_779865 bindex.qxd  4/21/06  7:18 PM  Page 381