Turbosound TQ-315DP ユーザーズマニュアル

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user manual 
QLight™ DP series 
QLight DP series manual 
page 24 
Flying frames are avail able for use with the TQ-308DP, TQ-310DP and TQ-445DP. These enable 
the cabinets to be installed in semi-permanent applications with the maximum of security. They 
provide considerable variation of horizontal and vertical inclination, including upward angles, and 
is very easy to re-position and angle once rigged. Optional scaffold clamps and pole adapters are 
additionally available. 
 
Permanent Installations 
Any installation, whether temporary or permanent, must be securely attached to the structure of 
the building using chain, steel wires or web straps which are certified and load rated for the 
purpose. The combined weight of the sound system, its cables and the rigging system must be 
safely carried by the points at which attachment is made to the building or structure. Great care 
must be taken in selecting the attachment points and methods, being absolutely sure of the load 
carrying capacity of points chosen. 
NOTE: The rigging of loudspeaker systems is an extremely serious matter with potentially 
lethal consequences should anything go wrong. It is of vital importance that you, or other people 
rigging the system, are suitably qualified to do so and have a full understanding of all the factors 
involved with safety as a number one priority. Turbosound accepts no responsibility for any 
accident, damage or failure of any rigged system. This rigging information is specifically related to 
the requirements of QLight™ enclosures only. For more detailed information on the whole topic of 
rigging various handbooks are available. If you are in any doubt contact your Turbosound dealer 
who will be able to refer you to an experienced rigging company. 
 
Choosing the best location 
When using any QLight™ system, certain room parameters will affect the resultant sound quality 
and coverage. For example, any boundary like a wall or floor will lift certain frequencies. If you are 
placing the unit in a corner then a lift at the bass end is to be expected and it may sound rather 
boomy. This can be compensated for moving the speaker or cutting low frequencies with a 
graphic equaliser. 
When speakers are flown in free space then boundary effects are minimised. The result is a 
smooth frequency response without any boost at odd frequencies, but the bass end may appear 
subjectively light. In this case increase the sub-bass level to bring the low end up. 
The relationship between sound pressure level and distance is an “inverse square law” so 
remember that every time the distance from the sound source is doubled the sound level 
decreases by 6dB. For every 3dB increase in SPL you need a doubling of input power and you can 
work out the wattage input needed to give the required SPL levels at various distances from the 
loudspeaker(s).