Behringer Truth B2031A 製品データシート

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Product Information Document
High-Resolution, Active 2-Way 
Reference Studio Monitor
Studio Monitors
TRUTH
B2031A
Bi-Amplifi cation - The Path to Absolute 
Signal Integrity
With its 265 ultra-clean Watts of output through separately-powered drivers, 
courtesy of true bi-amping (2 amplifi ers per speaker system), the B2031A delivers 
high-resolution sound that really brings out the best in your music. While some 
of our competitors apply simple passive crossovers, which inaccurately separate 
the frequency spectrum and degrade driver performance, BEHRINGER has gone 
the extra mile – driving each woofer and tweeter with a separate amplifi er for the 
utmost in signal integrity.
Bi-Amped Speaker
Tweeter
Woofer
Input
Electronic
Crossover
Power 
Amplifier
Power 
Amplifier
Custom-Engineered Transducers
Powerful amplifi ers coupled with state-of-the-art technology sure sounds impressive – but what about 
the part of the system you actually hear? We never cut corners on our transducers (woofers and tweeters), 
and we never just pull what we have off  the shelf. Our LF (Low Frequency) and HF (High Frequency) 
transducers are designed specifi cally for each application – it’s what sets us apart from the competition. 
When you buy a TRUTH B2031A active monitor, you can rest assured the transducers inside have been 
engineered to perform fl awlessly with every other element for truly professional results. As a result, the 
B2031A provides ruler-fl at frequency response from 50 Hz - 21 kHz, with tight and accurate low end, 
articulately-detailed mids and crystal-clear highs.
Gloriously-Wide “Sweet Spot”
The B2031A’s HF (High Frequency) content comes courtesy of an ultra-high resolution 1.0" ferrofl uid-
cooled tweeter mounted on our proprietary wave guide. While some of our competitor’s studio monitors 
have a highly-focused “sweet spot” (the optimal listening position for a pair of loudspeakers), our wave 
guide is designed to create a much more generous, broader listening zone. That means you are free to 
move around inside the stereo image to fi nd the ideal spot in the mix for subtle instrument or eff ects 
placement opportunities.