Kolpak Recording Equipment DA-98 ユーザーズマニュアル

05/30/97 – 1.00 – 13-3

when timecode is received, it is re-transmitted, together with the offset set on the master unit(see 10.7.5, “Set-
ting timecode offset on-the-fly”) . The slave DA-98s output reshaped timecode. When timecode is not being 
received, and the 3 DA-98s are to act as a single independent multitrack recorder, the 

 key of the mas-

ter DA-98 is the only key that needs to be pressed to change modes.

Each track can be individually delayed, with the delay units being selectable between milliseconds and sam-
ples, allowing even more precise synchronization.

Telecine facilities can also benefit from the extensive range of pull-up and pull-down sampling frequencies, 
allowing easy synchronization, even with the non-integer ratios imposed when converting standard 24fps film 
material to NTSC drop-frame color.

The DA-98 has the advantage of media compatibility with the DTRS tapes received from smaller suites and 
project studios, allowing a complete multitrack soundtrack to be built up from different sources.

In addition, the integration of the DA-98 into the post-production environment is completed by its extensive 
emulation facilities, allowing it to interface with a wide range of editor/controllers, reducing the need for 
additional investment. As new equipment is introduced, the “future-proof” nature of the DA-98 makes it 
ready for future developments