Canon EOS C100 MARK II 전단
PRODUCT NAME:
EOS C100 MARK II
ITEM CODE:
0202C002AA
UPC CODE:
013803251807
EOS C100 MARK II DIGITAL VIDEO CAMERA
SPECIFICATIONS
P R O F E S S I O N A L P R O D U C T S
For more info:
1-855-CINE-EOS (1-855-246-3367)
pro.usa.canon.com
SIMULTANEOUS AVCHD AND MP4 RECORDING
OLED (Organic Light-Emitting Diode) is a newer
display technology that provides vivid colors,
high contrast, and dramatically improved
responsiveness compared to traditional LCD
screens. The 3.5-inch 1.23 megapixel OLED
display on the EOS C100 Mark II delivers
virtually 100 percent field
of view coverage, wide and
faithful color range support,
and improved viewing even
in bright sunshine. The EOS
C100 Mark II OLED screen has a new hinge
design to help maximize monitoring versatility. The design allows the
panel to fold shut when stowed and protect the OLED surface. It can
open 180 degrees to reveal function keys and a joystick, or open further
to 270 degrees to deploy against the side of the camera and provide
monitoring for directors, producers, or other production personnel.
display technology that provides vivid colors,
high contrast, and dramatically improved
responsiveness compared to traditional LCD
screens. The 3.5-inch 1.23 megapixel OLED
display on the EOS C100 Mark II delivers
virtually 100 percent field
of view coverage, wide and
faithful color range support,
and improved viewing even
in bright sunshine. The EOS
C100 Mark II OLED screen has a new hinge
design to help maximize monitoring versatility. The design allows the
panel to fold shut when stowed and protect the OLED surface. It can
open 180 degrees to reveal function keys and a joystick, or open further
to 270 degrees to deploy against the side of the camera and provide
monitoring for directors, producers, or other production personnel.
REDESIGNED 3.5-INCH OLED PANEL
0191W094 10/14
IMAGE
SENSOR
SENSOR
EFFECTIVE PIXELS
3840 x 2160 pixels; Approx. 8.29 megapixels
TOTAL PIXELS
4206 x 2340 pixels; Approx. 9.84 megapixels
SENSOR TYPE
CMOS (single-panel)
SENSOR SIZE
Super 35; 24.6 x 13.8 mm (28.2 mm diagonal); 6.4 μm cell pitch
SCANNING SYSTEM
Progressive
NUMBER OF SENSORS
1
FILTER
RGB Primary Color Filter (Bayer Array)
IMAGING PROCESSOR
DV 4
LENS
SYSTEM
SYSTEM
INTERCHANGEABLE LENS
SYSTEM
EF-mount for compatibility with EF, EF-S and EF Cinema lens systems
ND FILTER
Mechanical ND filter system with option of 2, 4, and 6 stops
IRIS
Manual setting in 1/2-step increments, 1/3-step increments or fine Push auto iris control
PERIPHERAL ILLUMINATION
CORRECTION
Available
EXPOSURE
AND
METERING
EXPOSURE MODES
Manual; Push Auto Iris/Auto Iris Control (metering system selection/AE shift possible)
METERING MODES
Available (Standard Center Weighted, Spotlight, Backlight)
GAIN
Normal Setting -6 dB to 44 dB / Fine Setting -6 dB to 24 dB in 0.5 dB increments
ISO
320 to
102,400 in 1/3 or 1-step increments
EXPOSURE
COMPENSATION/ AE SHIFT Available
SHUTTER MODES
5 Modes: Speed; Angle; Clear Scan; Slow; OFF. Speed setting can be set in 1/3 or 1/4-step
increments.
increments.
SHUTTER SPEED RANGE
59.94i/: 1/60 to 1/2000 in 1/4 or 1/3 stops; SLS: 1/4, 1/8, 1/15, 1/30;
CS: 59.94 Hz – 250.51 Hz
PF29.97: 1/30 to 1/2000 in 1/4 or 1/3 stops; SLS: 1/4, 1/8, 1/15;
PF29.97: 1/30 to 1/2000 in 1/4 or 1/3 stops; SLS: 1/4, 1/8, 1/15;
CS: 29.97 Hz - 250.51 Hz
23.98p/PF24: 1/24 to 1/2000 in 1/4 or 1/3 stops; SLS: 1/3, 1/6, 1/12;
23.98p/PF24: 1/24 to 1/2000 in 1/4 or 1/3 stops; SLS: 1/3, 1/6, 1/12;
CS: 23.98 Hz – 250.51 Hz
50i: 1/50 to 1/2000 in 1/4 or 1/3 stops; SLS: 1/3, 1/6, 1/12, 1/25;
50i: 1/50 to 1/2000 in 1/4 or 1/3 stops; SLS: 1/3, 1/6, 1/12, 1/25;
CS: 50.00 Hz – 250.51 Hz
PF25: 1/25 to 1/2000 in 1/4 or 1/3 stops; SLS: 1/3, 1/6, 1/12;
PF25: 1/25 to 1/2000 in 1/4 or 1/3 stops; SLS: 1/3, 1/6, 1/12;
CS: 25.00 Hz – 250.51 Hz
SHUTTER ANGLE
SETTINGS
SETTINGS
59.94i: 360, 240, 216, 180, 120, 90, 60, 45, 30, 22.5, 15, 11.25
PF29.97: 360, 240, 216, 180, 120, 108, 90, 60, 45, 30, 22.5, 15, 11.25
23.98p/PF24: 360, 345.6, 288, 240, 180, 172.8, 144, 120, 90, 86.4, 72, 60,
PF29.97: 360, 240, 216, 180, 120, 108, 90, 60, 45, 30, 22.5, 15, 11.25
23.98p/PF24: 360, 345.6, 288, 240, 180, 172.8, 144, 120, 90, 86.4, 72, 60,
45, 30, 22.5, 15, 11.25
50i: 360, 300, 240, 180, 150, 120, 90, 60, 45, 30, 22.50, 15, 11.25
PF25: 360, 300, 240, 180, 150, 120, 90, 75, 60, 45, 30, 22.50, 15, 11.25
50i: 360, 300, 240, 180, 150, 120, 90, 60, 45, 30, 22.50, 15, 11.25
PF25: 360, 300, 240, 180, 150, 120, 90, 75, 60, 45, 30, 22.50, 15, 11.25
IRIS (APERTURE) RANGE
Lens Dependent
FOCUS
FOCUS SETTINGS
Manual/ One-Shot AF/ Continous AF/ Face AF*
AUTOFOCUS SYSTEM
Dual Pixel CMOS AF / TTL-Video Signal Sensing System
AF METERING AREA
Fixed at center of screen
AF MODES
One-Shot AF/ Continuous AF/ Face AF*
MOVIE
FORMAT
AVCHD
VIDEO
COMPRESSION
FORMATS
MPEG-4 AVC/H.264
BIT RATE
28 Mbps/24 Mbps/17 Mbps/7 Mbps
FRAME RATE
59.94 Hz Mode: 59.94P (28 Mbps recording); 59.94i/PF29.97/23.98P (24, 17, or 7 Mbps
recording)
50.00 Hz Mode: 50.00P (28 Mbps recording); 50.00i/PF25.00 (24, 17, or 7 Mbps recording)
AUDIO
Linear PCM (16 bits/48 kHz/2 channels) (when 28 and 24 Mbps LPCM is selected)
Dolby Digital 2ch (when 28, 24, 17, or 7 Mbps is selected)
MP4
VIDEO
COMPRESSION
FORMATS
MPEG-4 AVC/H.264
BIT RATE
35 Mbps/24 Mbps/17 Mbps/4 Mbps/3 Mbps
FRAME RATE
59.94 Hz Mode: 59.94P (35 Mbps recording); 29.97P/23.98P (24, 17, 4 or 3 Mbps
recording)
50.00 Hz Mode: 50.00P (35 Mbps recording); 25.00P (24, 17, 4 or 3 Mbps recording
AUDIO
MPEG-4 AAC-LC (16 bit/48kHz/2 channels)
Bit rates: 35-17 Mbps: 256 kbps/less than 4 Mbps: 128 kbps
POWER
POWER TERMINAL
Battery Pack: 7.4V / DC in: 8.4V
BATTERY
BP-955
OTHER
TEMPERATURE AND
HUMIDITY
Performance requirements: 0ºC to 40ºC, 85% (relative humidity)
Operating requirements: -5ºC to 45ºC, 60% (relative humidity)
LANGUAGE SUPPORT
German, English, Spanish, French, Italian, Polish, Portuguese, Russian, simplified Chinese,
Korean characters and Japanese
BODY DIMENSIONS
( W x H x D)
Approx. 5.8 x 6.9 x 6.7 in.
(147 x 174 x 169 mm) (with thumb rest)
WEIGHT (BODY ONLY)
Approx. 2.5 lbs. (1125g)
THE EOS C100 Mark II Digital
video camera enables users to
record in both the AVCHD or MP4
recording formats in a variety of
bit rates (up to 28 Mbps and 35
Mbps, respectively), resolutions,
and frame rates (including the
smooth look of 60p) to suit
practically any production need.
Both formats have their own
particular advantages. AVCHD is a
professional standard that enables
long-term recording of full HD using very low volumes of data. MP4 has
advantages for Web and smartphone sharing. Both formats are used by
many nonlinear editing applications. The EOS C100 Mark II’s dual SD card
slots can record in either or both formats simultaneously
video camera enables users to
record in both the AVCHD or MP4
recording formats in a variety of
bit rates (up to 28 Mbps and 35
Mbps, respectively), resolutions,
and frame rates (including the
smooth look of 60p) to suit
practically any production need.
Both formats have their own
particular advantages. AVCHD is a
professional standard that enables
long-term recording of full HD using very low volumes of data. MP4 has
advantages for Web and smartphone sharing. Both formats are used by
many nonlinear editing applications. The EOS C100 Mark II’s dual SD card
slots can record in either or both formats simultaneously
*
and can convert
AVCHD and MP4 files into smaller MP4 files for web upload
**
.
*Currently limited to 4 STM lenses only; refer to the Technical Description.
An optional Canon RC-V100 Multi-Function Remote
Controller can be connected to the camera via its remote
control cable to adjust image quality and other settings from
a distance. This can also be a handy feature when shooting
from a crane, jib arm, or mounted remotely in some other
inaccessible location.
Controller can be connected to the camera via its remote
control cable to adjust image quality and other settings from
a distance. This can also be a handy feature when shooting
from a crane, jib arm, or mounted remotely in some other
inaccessible location.
CANON RC-V100 REMOTE CONTROLLER (OPTIONAL)
* This function records the images on the card in the sub slot as well, while images are concurrently being recorded
on the card in the main slot. Users have the following selection options for the format with which to record the
images on the card in the sub slot.
images on the card in the sub slot.
(a) Slot recording using the same movie format (AVCHD/MP4)
(b) Different MP4 (4 Mbps or 3 Mbps) recording in sub slot from main slot However, 28 Mbps (AVCHD) and
(b) Different MP4 (4 Mbps or 3 Mbps) recording in sub slot from main slot However, 28 Mbps (AVCHD) and
MP4 (4Mbps or 3Mbps) as well as 35Mbps (MP4) and MP4 (4Mbps or 3Mbps) double-slot recording is not
possible.
possible.
Use of double-slot recording together with slow & fast motion recording or relay recording is not possible, and if
such an attempt is made, double slot recording takes priority.
** Footage shot in the 28 Mbps mode for AVCHD and 35 Mbps mode for MP4 cannot be converted.
such an attempt is made, double slot recording takes priority.
** Footage shot in the 28 Mbps mode for AVCHD and 35 Mbps mode for MP4 cannot be converted.
©2014 Canon U.S.A., Inc. All rights reserved. Not responsible for typographical errors.
Specifications subject to change without notice. Canon, DIGIC and EOS are registered
trademarks of Canon Inc. in the United States and may also be trademarks or registered
trademarks in other countries. All other products and brand names may be registered
trademarks, trademarks or service marks of their respective owners in the United States and/
or other countries.
Specifications subject to change without notice. Canon, DIGIC and EOS are registered
trademarks of Canon Inc. in the United States and may also be trademarks or registered
trademarks in other countries. All other products and brand names may be registered
trademarks, trademarks or service marks of their respective owners in the United States and/
or other countries.