Classe Audio SSP-30 MKII 사용자 설명서
Section 2.0 - Connecting the SSP-30 MKII
Use the diagram on the previous page to follow the discussion regarding input and output connections.
SAFETY NOTE: Before you begin work we very strongly advise that all electronic equipment be unplugged from the AC
outlets. They should at least be switched off with the AC switch (NOT in Standby). Failure to follow the above advice can
result in damage to speakers and to electronics and perhaps to you.
outlets. They should at least be switched off with the AC switch (NOT in Standby). Failure to follow the above advice can
result in damage to speakers and to electronics and perhaps to you.
RCA-style cables should be rotated (twisted) slightly as you insert them into (or remove them from) the SSP-30’s jacks.
The SSP-30 MKII has a complete and well-thought-out panel of connections available, enough for even a complex audio
and theater system.
and theater system.
2.1
VIDEO INPUTS: The six Video Inputs (S-Video and Composite) are assigned to the like numbered analog (AV)
inputs: VID1 is associated with AV1, VID2 with AV2, etc.
2.1.1 DIGITAL INPUTS: The seven Digital inputs may be assigned to any Audio source, (AV1 – AV6 and AUD1 –
AUD4). Any Digital input may be assigned to more than one source.
NOTE: When a 24/96 PCM digital signal is fed to one of the digital inputs of the SSP-30 MKII, the
Signal will not go through the DSP, therefore only the Stereo and Mono modes will be
available under this condition.
Signal will not go through the DSP, therefore only the Stereo and Mono modes will be
available under this condition.
2.1.2 AUDIO INPUTS: When an audio source is selected for listening, the analog (if any) signal assigned to that input
will also appear at the record, record1, record2, and (if selected) at the remote zone outputs. Any Digital input
assigned to the same source will be heard at the Main 7.1 outputs only. When you have both a digital and an
analog input assigned to an audio source the analog signal will appear only at the three record outputs and (if
selected) at the remote zone output. The Digital signal will be processed and routed at the main outputs and
also appear unprocessed at the digital output. The analog signal going to the record-outs does not go through
assigned to the same source will be heard at the Main 7.1 outputs only. When you have both a digital and an
analog input assigned to an audio source the analog signal will appear only at the three record outputs and (if
selected) at the remote zone output. The Digital signal will be processed and routed at the main outputs and
also appear unprocessed at the digital output. The analog signal going to the record-outs does not go through
the A to D and D to A processors. The two signals are handled separately. There is no way to send the
processed digital information to any of the record or remote outputs.
processed digital information to any of the record or remote outputs.
2.1.3 TAPE INPUTS: The PLAY input functions as part of a tape loop. It is designed to accept the output from a two
channel tape machine. Pressing the TAPE button on the front panel routes the analog audio signal on the PLAY
input through the digital processor. You can change the output mode (Stereo, Natural, etc.), while listening to
Tape. Because Mode is assigned to the input Source, the selected mode for PLAY will remain set when you exit
and return. When you return to listening to the Source being taped the mode selected for the Source will return.
See Section 6, on Taping.
Tape. Because Mode is assigned to the input Source, the selected mode for PLAY will remain set when you exit
and return. When you return to listening to the Source being taped the mode selected for the Source will return.
See Section 6, on Taping.
2.1.4 7.1 INPUTS: These are analog audio only inputs, designed to make it possible to listen to new multi-channel
formats which are not currently available as a digital signal, such as SACD and DVD-Audio. These inputs are
analog only, as the input goes only to a volume control and directly to the 7.1 Outputs.
analog only, as the input goes only to a volume control and directly to the 7.1 Outputs.
2.1.5 VIDEO INPUTS: The two styles of Video inputs are also separate from each other. S-Video does not convert to
Composite video and Composite does not convert to S. If you want to have Video sent to the remote zone
output you have to send the SSP-30 MKII a Composite video signal. Thus an S-Video signal can be sent to your
television and to a recording VCR, while only Composite video can be sent to the remote zone. (S-Video should
be sent only over a short length of cable).
output you have to send the SSP-30 MKII a Composite video signal. Thus an S-Video signal can be sent to your
television and to a recording VCR, while only Composite video can be sent to the remote zone. (S-Video should
be sent only over a short length of cable).
2.1.6 IR INPUTS: There are two IR inputs. They allow you to make a connection from the remote Zone area as well as
from the Main listening/viewing area. The two IR can not accept simultaneous input, though each will allow you
to fully control the SSP-30 MKII; the Zone can be controlled from either the Main area or Zone and the Main
area can be controlled from either the Main or the Zone area. Neither of the IR inputs can be reconfigured as
to fully control the SSP-30 MKII; the Zone can be controlled from either the Main area or Zone and the Main
area can be controlled from either the Main or the Zone area. Neither of the IR inputs can be reconfigured as
outputs, thus the SSP-30 MKII should be the last piece in the IR chain.