Yamaha AN200 사용자 설명서

Chapter 9  LFO Modulation

  

The LFO uses one of 21 different waveforms to modulate the sound.  The particular wave you select has a 
huge effect on the final sound.  Try out some of these and see what kind of chaos you can create.

1 Press [DETAIL] until “UA<E” (Wave) appears briefly in 

2 Use the [DATA] knob to set the Wave to “trGL” (Trian-

This selects the Triangle wave.  Try some of the other Wave settings and 
hear how they change the sound.

If you’ve come to this Tip directly from the other LFO Tips above, you may want to hear the Pitch 
modulation by itself.  To do this, set both Amplitude and Filter back to normal (0).

Once you start working with VCO 2 (in Tip 57), experiment with the two independent Pitch 
Modulation Depth settings (PMD1 and PMD2) for even more interesting textures and pitch 
changes.

Use the Sample-and-hold waves (“S-H” 1 - 4) mainly for Pitch modulation effects.  Unlike the 
other Wave settings, these generate random fluctuations.  They’re less suited to modulating 
the Amplitude or Filter, since the random differences may be less apparent.  Especially with 
Amplitude, they may result in unwanted dropouts in the sound.  However, they can be very 
effective with Pitch, particularly in creating “electronic” sounds and sci-fi effects.

Determines the two Pitch Modulation Depth 
settings for the LFO.  Setting 1 (“Pmd1”) 
affects VCO 1, while setting 2 (“Pmd2”) 
affects VCO 2.  A value of “0” results in no 
Pitch change.  To set, press [DETAIL] (until 
“Pmd1” or “Pmd2” appears), and use 
[DATA] knob.

Range
-127 (maximum negative) — 
0 (no change) — 127 (maximum positive)