Roland V-Synth 사용자 설명서

By boosting the fundamental and overtones, you can 
apply a pitch to unpitched input sounds such as noise 
or a drum phrase. This lets you create a stronger effect 
than the first-order sideband filter.

A comb filter can be used to boost or cut the 
fundamental or overtones.

Two filters can be connected in series or parallel.

Q

0–127

Frequency bandwidth

LPF

0–127

Cutoff frequency of the low 
pass filter

LPF KF

-200– +200

Key follow setting for cut-
off frequency of low-pass 
filter

Octave

-2, -1, 0

Octave setting

Width #1

0–127

Bandwidth

Width KF

-200– +200

Key follow setting for 
bandwidth

Dyn Env

-63– +63

Envelope depth for the in-
put sound

Width LFO Depth 
#3

-63– +63

Amount of LFO applied to 
bandwidth

Detune #2

0–127

Detune

Dyn Env

-63– +63

Envelope depth for the in-
put sound

Detune LFO 
Depth #4

-63– +63

Amount of LFO applied to 
detune

Octave

-2, -1, 0, +1, +2

Octave setting

Tone #1

0–127

Tonal character

Tone LFO Depth 
#3

-63– +63

Amount of LFO applied to 
tone

Detune #2

0–127

Detune

Detune LFO 
Depth #4

-63– +63

Amount of LFO applied to 
detune

Filter Type

LPF/HPF, LPF-
>HPF, BPF/BPF

Type of filter

Freq #1/#2

0–127

Cutoff frequency of the fil-
ter

Freq KF

-200– +200

Key follow setting for filter 
cutoff frequency

Reso

0–127

Resonance

Freq LFO Depth 
#3/#4

-63– +63

Amount of LFO applied to 
filter cutoff frequency