Optimus 575 사용자 설명서
14
USING AUTO-
ACCOMPANIMENT
ACCOMPANIMENT
The first 18 keys on the left side of the
keyboard with note labels above them
are called accompaniment keys.
keyboard with note labels above them
are called accompaniment keys.
You can set the Concertmate 575 to
play these two types of auto-accompa-
niment using those keys.
play these two types of auto-accompa-
niment using those keys.
•
Easy Random Fingering
— lets
you play chords on the accompa-
niment keys using chord forma-
tions of one to four notes. The
number of keys you press deter-
mines the type of chord that plays
(see “Easy Random Fingering”).
niment keys using chord forma-
tions of one to four notes. The
number of keys you press deter-
mines the type of chord that plays
(see “Easy Random Fingering”).
•
Standard Fingering
— lets you
play chords on the accompani-
ment keys using standard chord
formations of three or four notes
(see “Standard Fingering” on
Page 16).
ment keys using standard chord
formations of three or four notes
(see “Standard Fingering” on
Page 16).
Note: You can use
FILL-IN
with both
types of auto-accompaniment.
Easy Random Fingering
The easy random fingering method
lets beginning keyboard players easily
select and play a chord — the number
of accompaniment keys you press de-
termines the type of chord played.
lets beginning keyboard players easily
select and play a chord — the number
of accompaniment keys you press de-
termines the type of chord played.
The following table shows the types of
chords you can play with easy random
fingering, when you press one, two,
three, or four accompaniment keys at
the same time.
chords you can play with easy random
fingering, when you press one, two,
three, or four accompaniment keys at
the same time.
Notes:
• The lowest note you play deter-
mines the key of the chord. For
example, if the lowest note is C,
the Concertmate 575 plays a C
chord.
example, if the lowest note is C,
the Concertmate 575 plays a C
chord.
• You can press any labeled note(s)
to the right of the lowest note in
the chord to produce a minor, sev-
enth, or minor seventh chord.
the chord to produce a minor, sev-
enth, or minor seventh chord.
MODE
POWER OFF
FINGERED
NORMAL
CONCERT
CHORD
VOLUME
MIN
MAX
TEMPO
FILL-IN
START/
STOP
C
C
#
E
b
D
E
F
F
#
G
A
b
A
B
b
B
C
C
#
D
E
b
E
F
£
CHORD
100 SOUNDS
KEYBOARD
KEYBOARD
00 PIANO
01 ELEC PIANO
02 FUNKY CLAVI
03 HARPSICHORD
04 ELEC ORGAN
05 JAZZ ORGAN
06 PIPE ORGAN
07 CHURCH ORGAN
08 STREET ORGAN
09 ACCORDION
01 ELEC PIANO
02 FUNKY CLAVI
03 HARPSICHORD
04 ELEC ORGAN
05 JAZZ ORGAN
06 PIPE ORGAN
07 CHURCH ORGAN
08 STREET ORGAN
09 ACCORDION
WIND
10 SAMBA WHISTLE
11 WHISTLE
12 QUENA
13 FLUTE
14 FLUTE-VIB
15 OCARINA
16 BAGPIPE
17 HARMONICA
18 CHORUS
19 BRASS-STRINGS
11 WHISTLE
12 QUENA
13 FLUTE
14 FLUTE-VIB
15 OCARINA
16 BAGPIPE
17 HARMONICA
18 CHORUS
19 BRASS-STRINGS
STRING
20 WARM STRINGS
21 STRINGS
22 VIOLIN
23 VIOLIN-VIB
24 CELLO
25 ELEC GUITAR
26 JAZZ GUITAR
27 MUTE GUITAR
28 METAL GUITAR
29 SLAP BASS
21 STRINGS
22 VIOLIN
23 VIOLIN-VIB
24 CELLO
25 ELEC GUITAR
26 JAZZ GUITAR
27 MUTE GUITAR
28 METAL GUITAR
29 SLAP BASS
30 ELEC BASS
31 WOOD BASS
32 SNARE BASS
33 MANDOLIN
34 BANJO
35 SITAR
36 UKULELE
37 HARP
38 TAISHOKOTO
39 SHAMISEN
31 WOOD BASS
32 SNARE BASS
33 MANDOLIN
34 BANJO
35 SITAR
36 UKULELE
37 HARP
38 TAISHOKOTO
39 SHAMISEN
BRASS
40 BRASS ENS
41 WARM BRASS
42 TRUMPET
43 TUBA
44 BRASS HIT
45 WIND ENS
46 ENGLISH HORN
47 OBOE
48 BASSOON
49 CLARINET
41 WARM BRASS
42 TRUMPET
43 TUBA
44 BRASS HIT
45 WIND ENS
46 ENGLISH HORN
47 OBOE
48 BASSOON
49 CLARINET
PERCUSSION
50 VIBRAPHONE
51 MARIMBA
52 CHURCH BELLS
53 BELLS
54 TOM
55 ROCK DRUM
56 SWING DRUM
57 TRIANGLE
58 SAMPLE PERCUSSION
59 MATSURI
51 MARIMBA
52 CHURCH BELLS
53 BELLS
54 TOM
55 ROCK DRUM
56 SWING DRUM
57 TRIANGLE
58 SAMPLE PERCUSSION
59 MATSURI
Note Labels
Accompaniment
Keys
Number
of Keys
Pressed
Chord Type
1
Major
2
Minor (m)
3
Dominant Seventh (7)
4
Minor Seventh (m7)
42-4029.fm Page 14 Wednesday, August 11, 1999 4:14 PM