Fujifilm 1x5 Provia 400X 120 15651957 사용자 설명서
제품 코드
15651957
– 1 –
AF3-0213E
1.
FEATURES AND USES
FUJICHROME PROVIA 400X Professional [RXP] is a
daylight-type high-image-quality color reversal film
with an ISO speed rating of 400. This film boasts one of
the world’s highest levels of grain quality and sharpness,
while delivering the same vivid color reproduction
and regulated gray balance as that of ISO 100 film.
Furthermore, it produces fine results in push-/pull-
processing for exposures ranging from –1/2 stop (EI
280) to +2 stops (EI 1600). These qualities make this a
highly versatile film for general applications, including
landscape, nature, snapshot and portrait photography.
daylight-type high-image-quality color reversal film
with an ISO speed rating of 400. This film boasts one of
the world’s highest levels of grain quality and sharpness,
while delivering the same vivid color reproduction
and regulated gray balance as that of ISO 100 film.
Furthermore, it produces fine results in push-/pull-
processing for exposures ranging from –1/2 stop (EI
280) to +2 stops (EI 1600). These qualities make this a
highly versatile film for general applications, including
landscape, nature, snapshot and portrait photography.
FUJICHROME PROVIA 400X Professional [RXP]
C O L O R R E V E R S A L F I L M S
Features
• Brilliant Color ........
Reproduction
• Fine Grain
........
• Rich Tone
........
Reproduction
• Excellent
........
Long-exposure
Suitability
Suitability
• Superb Push/Pull ....
Processing
Suitability
Suitability
• Enhanced Color ......
Image Storage
Permanence and
Fade-resistance
Permanence and
Fade-resistance
Brilliant ISO 100-level color
reproduction through the
incorporation of new-generation
couplers and Multi-Color-
Correcting Layer Technology
reproduction through the
incorporation of new-generation
couplers and Multi-Color-
Correcting Layer Technology
RMS granularity of 11, one of
the world’s highest levels
among ISO 400 color reversal
films
the world’s highest levels
among ISO 400 color reversal
films
Smooth tone reproduction from
the highlights to the shadows
and subtly differentiated gray
gradation
the highlights to the shadows
and subtly differentiated gray
gradation
Minimal reciprocity-related
speed reduction and color
balance variation in long
exposures
speed reduction and color
balance variation in long
exposures
Minimal color and gradation
variation during push/pull
processing from –1/2 stop
(EI280) to +2 stop (EI1600), and
up to +3 stops (EI3200),
depending on the subject,
making this film ideal for low-
light and other situations
requiring high film sensitivity
variation during push/pull
processing from –1/2 stop
(EI280) to +2 stop (EI1600), and
up to +3 stops (EI3200),
depending on the subject,
making this film ideal for low-
light and other situations
requiring high film sensitivity
Dramatic improvement over
RHP
RHP
III
in color image storage
permanence and color fading
resistance as a result of new-
generation couplers
resistance as a result of new-
generation couplers
2.
SPEED
Light Source
Daylight
Tungsten Lamps
(3200K)
Speed
ISO 400/27°*
ISO 125/22°*
Filter
None
No. 80A**
3.
FILM SIZES, EMULSION NUMBER,
BASE MATERIAL AND THICKNESS
BASE MATERIAL AND THICKNESS
Emulsion
Number
101–
Sizes
• Rolls*
135 ... 36-exp.
120 ... 12-exp.
... 12-exp. (5-roll packs)
4.
EXPOSURE GUIDE FOR VARIOUS
LIGHT CONDITIONS
LIGHT CONDITIONS
Use a meter for exposure determination. If a meter is not
available, refer to the following table.
available, refer to the following table.
*
Indicates the effective speed resulting from designated filter use.
** Wratten filter
*Some sizes are not available in certain markets.
* RMS stands for “Root Mean Square”, a widely used standard
method for measuring the degree of grain in photographic film.
The lower the RMS number, the smaller the apparent grain.
The lower the RMS number, the smaller the apparent grain.
Base
Material
Cellulose
Triacetate
Base
Thickness
127 µm
98 µm
NOTES
• The foregoing settings are for 2 hours after sunrise and 2 hours
before sunset.
• Provide a lens opening 1/2-stop smaller during the summer
and 1/2-stop larger during the winter (except for snow scenes).
• Excessively bright (or dark) or backlighted subjects may require
plus (or minus) 1-stop lens opening adjustments.
Daylight
Under normal daylight conditions, color balancing filters
are not necessary, but the following exposure condi-
tions may require the indicated filters.
Under normal daylight conditions, color balancing filters
are not necessary, but the following exposure condi-
tions may require the indicated filters.
Seashore or
Snow Scenes
under Bright
Sun
Light
Conditions
Conditions
Lens
Aperture
Aperture
Exposure
Time (sec.)
Time (sec.)
Bright
Sunlight
Hazy
Sunlight
Cloudy
Bright
Cloudy
Day or
Open
Shade
f/16
f/11
f/11
f/11
f/8
1/1000
1/1000
1/500
1/250
1/250