Fujifilm 1x5 Velvia 50 120 15757531 사용자 설명서
제품 코드
15757531
– 1 –
AF3-0221E2
1.
FEATURES AND USES
FUJICHROME Velvia 50 Professional [RVP 50] is a
professional daylight color reversal film with an ISO
speed rating of 50. Nearly identical in performance to
FUJICHROME Velvia for Professionals [RVP], this film
was made possible through the development of new
production technologies and substitutes for raw materi-
als vital for the manufacture of the current Velvia but
now hard to procure. In addition to the world’s highest
level of image color saturation and vibrancy, this film
combines superb granularity with resolving power. The
result is well-modulated, vivid color reproduction and
high picture quality, as required in such wide-ranging
subjects as nature photography, fashion, products,
interiors and artwork. It is especially suited to subjects
that demand precision in reproduction and emphasis in
colors.
professional daylight color reversal film with an ISO
speed rating of 50. Nearly identical in performance to
FUJICHROME Velvia for Professionals [RVP], this film
was made possible through the development of new
production technologies and substitutes for raw materi-
als vital for the manufacture of the current Velvia but
now hard to procure. In addition to the world’s highest
level of image color saturation and vibrancy, this film
combines superb granularity with resolving power. The
result is well-modulated, vivid color reproduction and
high picture quality, as required in such wide-ranging
subjects as nature photography, fashion, products,
interiors and artwork. It is especially suited to subjects
that demand precision in reproduction and emphasis in
colors.
Features
• Vibrant Color ..............
Reproduction/
Rich Color Tone
Depiction
Vivid skin tone reproduction
with the world’s highest color
saturation equal to that of the
current Velvia. Superb color
tone depiction for rich color
reproduction.
• Fine Grain Quality/ ....
High Definition/
High Resolving
Power
Superb grain quality, vibrancy
and resolving power, as with
the current Velvia.
• Neutral Grays and .....
Excellent Deep
Shadows
Fine neutral gray reproduc-
tion from the highlights to the
shadows.
• Superb Push/Pull ......
Processing
Minimum color balance varia-
tion over a range from –1/2 to
+1 stop to enable wider pho-
to opportunities. Also allows
fine adjustments of exposure
and density to be easily done
during processing.
2.
SPEED
Light Source
Speed
Color Balancing Filter
Daylight
ISO 50/18º
None
Tungsten Lamps
(3200K)
ISO 16/13º *
No. 80A **
* Indicates the effective speed resulting from designated filter
use.
** Wratten Filter
FUJICHROME Velvia 50 Professional [RVP50]
COLOR REVERSAL FILMS
3.
FILM SIZES, EMULSION NUMBER, BASE
MATERIAL AND THICKNESS
Sizes
Emulsion
Number
Base
Material
Base
Thickness
• Rolls*
135 ... 36-exp.
... 36-exp. (20-roll pack)
#501–
Cellulose
Triacetate
127 µm
120 ... 12-exp.
... 12-exp. (5-roll pack)
220 ... 24-exp. (5-roll pack)
98 µm
• Sheets*
4×5 in. (10.2×12.7 cm)
... 10 sheets
8×10 in. (20.3×25.4 cm)
... 10 sheets
QuickLoad 4×5 in ... 20 sheets
Polyester 175 µm
* Some sizes are not available in certain markets.
4.
EXPOSURE GUIDE FOR VARIOUS
LIGHT CONDITIONS
Use a meter to determine the exposure setting. If a me-
ter is not available, refer to the following table.
ter is not available, refer to the following table.
Light
Conditions
Seashore or
Snow Scenes
under Bright
Sun
Bright
Sunlight
Hazy
Sunlight
Cloudy
Bright
Cloudy
Day or
Open
Shade
Lens
Aperture
f/16
f/11
f/8
f/5.6
f/4
(Exposure time: 1/125 sec.)
NOTES
• The settings are for 2 hours after sunrise and 2 hours before
sunset.
• Provide a lens opening 1/2-stop smaller during the summer
and 1/2-stop larger during the winter (except for snow scenes).
• Excessively bright (or dark) or backlighted subjects may require
plus (or minus) 1-stop lens opening adjustments.
Daylight
Under usual daylight conditions, color balancing filters
are not necessary. For the following exposure condi-
tions, however, the indicated filters are recommended.
• A UV filter No. 2C*, No. 2B* or other appropriate ul-
are not necessary. For the following exposure condi-
tions, however, the indicated filters are recommended.
• A UV filter No. 2C*, No. 2B* or other appropriate ul-
traviolet absorbing filter is recommended for scenes
that are receiving strong ultraviolet light from the
sun, such as seaside locations, snow scenes, and
bright distant views.
that are receiving strong ultraviolet light from the
sun, such as seaside locations, snow scenes, and
bright distant views.