Canon REALiS WUX450ST Pro AV 브로셔

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ProjectorCentral.com:
 
Product Road Test
1-800-OK-CANON 
(1-800-652-2666) 
PROJECTORS.USA.CANON.COM
What it Sounds Like
On-board Audio:
The audio system’s 5-watt mono speaker delivers 
enough volume for a mid-size room and good 
enough sound quality for narration or movie 
dialogue.  
 
Fan Noise:
With Full Power, the WUX450ST is rated at 37 dB, 
and is loud enough to be intrusive even from 15 
feet away. In Power Saver mode, rated at 30 dB, 
it’s still audible from 15 feet in a quiet room, but 
is a constant whooshing white noise that I didn’t 
find bothersome sitting just five feet away. 
The vertical mode settings for facing the 
projector up and down both raise the noise  
level. However this shouldn’t be an issue, since 
you’re most likely to use vertical mounting for 
displays or signage. 
Canon recommends using High Altitude mode 
starting at 7545 feet--50% higher than 
for most projectors and higher than the 
maximum elevation in all but 13 states in the 
continental US. That makes it unlikely you’ll 
ever need it. If you have to use it, however, it’s 
easy to hear in full power mode from 40 feet 
away. You’ll probably want to stay with Power 
Saver mode instead, or consider putting the 
projector behind a false wall to help deaden 
the sound.
OUR LAB TESTS: What the Meters Say:
Brightness:
ANSI lumen measurements on the WUX450ST 
were as follows:  
 
 
 
 
 
 
 
 
 
 
 
The last two modes don’t show as choices unless 
you change a menu setting from the factory 
default, and neither is available at all when using 
the LAN, USB ports, or a PC connected by VGA. 
When they are available, they replace the first 
two, so the menu choices at any point are 
Photo/sRGB either with Presentation and 
Standard or with Dynamic and Video. 
Low Lamp Mode:
Power Saver mode drops brightness to about 
75% of Full Power, which is still easily bright 
enough for many classrooms and conference 
rooms. It also increases lamp life from 3000 
hours to 5000, making it well worth using.  
 
Presentation Optimized Lumens:
All five predefined modes deliver excellent color 
quality, so you can pick the one that offers the 
most appropriate brightness for the image size 
and light level.  
 
Video Optimized Lumens:
Here again, all five modes deliver solid video, 
but the best choice for most video is 
Presentation mode with a slight tweaking of 
the color temperature, which gives better color 
balance, and brought the brightness down just 
a hair, to 3638 lumens.  
 
Zoom Lens Effect:
The short throw lens doesn’t offer zoom, so 
there’s no zoom lens effect to curtail light. 
Brightness Uniformity:
The measured 71% uniformity is less than 
most projectors deliver, but not unusual for a 
short-throw lens. More important, the dimmest 
and brightest areas are far enough apart that 
the difference is barely noticeable with a solid 
white image even if you look for it. It’s impossible 
to see with any image that breaks up the field 
of view.  
 
Input Lag:
The lag meter measures the input lag at 
19 to 23 ms depending on the preset mode.
MODE
FULL
POWER 
SAVER
Presentation
3842
2881
Standard
3263
2447
Photo/sRGB
2846
2125
Dynamic
4033
3011
Video
2396
1789
Setting it Up
Throw Distance:
With no zoom, the WUX450ST is limited to 
a fixed distance for any given size image. 
For the native 16:10 aspect ratio, it can throw 
a 120” diagonal image from roughly 4.75 feet, 
and a 150” image from six feet. To find the 
right range for the image size you want, 
see the 
Projection Calculator
 loaded with 
WUX450ST data.  
Lens Shift:
With the projector on a table in front of the 
screen, and at the bottom extreme of the 
vertical shift range, 50% of the 16:10 image is 
above the centerline of the lens, and 50% is 
below. At the top of the range, the bottom edge 
of the image is 30% of the image height above 
the centerline of the lens. Depending on the 
vertical shift setting, the horizontal shift varies 
from 10% to 15% of the image width left or right 
of middle position. 
If you have to tilt or swivel the projector even 
after taking advantage of the lens shift, you 
can manually adjust for up to plus or minus 
12 degrees for both vertical and horizontal 
keystone distortion. Alternatively, you can 
individually adjust each corner.
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