Access virus indigo ii 사용자 설명서
ACCESS VIRUS OS5
103
Second Output/SurroundAnalog Inputs
tudes of both signals, which provides the fre-
quencies’ sums and differences. The more
harmonics in the incoming signal, the more dis-
tinct the modulation. Especially drumloops
modulated with a sine wave create interesting
sounds. The incoming signal is determined with
INPUT SELECT. Depending on the incoming
signal, the ring modulator operates in mono or
stereo.
quencies’ sums and differences. The more
harmonics in the incoming signal, the more dis-
tinct the modulation. Especially drumloops
modulated with a sine wave create interesting
sounds. The incoming signal is determined with
INPUT SELECT. Depending on the incoming
signal, the ring modulator operates in mono or
stereo.
DIR/EFF
- LEFT The ring modulator is inactive, only the
direct signal is audible.
- CENTER Purely the ring modulator signal is
audible.
- RIGHT The external audio signal is audible.
You’ll find a further ring modulator in the Os-
cillator section of the VIRUS. It operates indi-
vidually for each voice using the signals of
Oscillators 1 and 2.
cillator section of the VIRUS. It operates indi-
vidually for each voice using the signals of
Oscillators 1 and 2.
01111111111111111112
1 INPUT RINGMOD
Dir/Eff Off≤
Dir/Eff Off≤
61111111111111111154
SECOND OUTPUT/SURROUND
The SECOND OUTPUT function lets you select
another mono or stereo out irrespective of what
the other output assignments may be. The bal-
ance of levels between the normal output and
this second output is infinitely variable.
another mono or stereo out irrespective of what
the other output assignments may be. The bal-
ance of levels between the normal output and
this second output is infinitely variable.
SELECT
This parameter controls the balance of levels
between the normal and the second audio out-
put. This means that, depending on the given
application, SECOND BALANCE can serve as
an effect send knob when an external device is
patched in via the second output (or another
PART of the VIRUS is patched in via the aux
buses). It also serves as a back/front knob
when you want to create a quadraphonic signal.
between the normal and the second audio out-
put. This means that, depending on the given
application, SECOND BALANCE can serve as
an effect send knob when an external device is
patched in via the second output (or another
PART of the VIRUS is patched in via the aux
buses). It also serves as a back/front knob
when you want to create a quadraphonic signal.
01111111111111111112
1 SECOND OUTPUT
SELECT OFF≤
SELECT OFF≤
61111111111111111154
BALANCE
With this parameter, you can mix the output sig-
nals of the PARTs individually to the second
output that you chose by means of the SELECT
option. When it is set to the OFF position, you
will only hear only the conventional output;
when it is set to 127, the signal is routed exclu-
sively to the second output. The values in be-
tween these two extremes determine the
weighted balance between the conventional
and the second output.
nals of the PARTs individually to the second
output that you chose by means of the SELECT
option. When it is set to the OFF position, you
will only hear only the conventional output;
when it is set to 127, the signal is routed exclu-
sively to the second output. The values in be-
tween these two extremes determine the
weighted balance between the conventional
and the second output.
In conjunction with the conventional output of
the given sound, you end up with a quadra-
phonic signal that is suitable for Surround appli-
cations. Using Panorama (left, right) and the
SECOND OUTPUT Balance (front, back), you
can create a genuine quadraphonic mix in the
VIRUS.
the given sound, you end up with a quadra-
phonic signal that is suitable for Surround appli-
cations. Using Panorama (left, right) and the
SECOND OUTPUT Balance (front, back), you
can create a genuine quadraphonic mix in the
VIRUS.
The second output can also serve as an FX
loop. To this end, all you have to do is connect it
to an external effects device. The Balance pa-
rameter then serves as an effect send knob that
determines the balance between the direct or
dry signal and the wet or effect signal. When
loop. To this end, all you have to do is connect it
to an external effects device. The Balance pa-
rameter then serves as an effect send knob that
determines the balance between the direct or
dry signal and the wet or effect signal. When