Adobe photoshop cs2 사용자 설명서

ADOBE PHOTOSHOP CS2 

Choose from the Mode pop-up menu in the options bar. 

Edits or paints each pixel to make it the result color. This is the default mode. (Normal mode is called 

Threshold when you’re working with a bitmapped or indexed-color image.) 

Edits or paints each pixel  to  make  it  the result color. However, the  result  color is a random  replacement of  

the pixels with the base color or the blend color, depending on the opacity at any pixel location. 

Edits or paints only on the transparent part of a layer. This mode works only in layers with Lock Trans­

parency deselected and is analogous to painting on the back of transparent areas on a sheet of acetate. 

Edits or paints each pixel and makes it transparent. This mode is available for the Shape tools (when fill 

region 

is selected), the Paint Bucket tool 

, the Brush tool 

, the Pencil tool 

, the Fill command, and the 

Stroke command. You must be in a layer with Lock Transparency deselected to use this mode. 

Looks at the color information in each channel and selects the base or blend color—whichever is darker— 

as the result color. Pixels lighter than the blend color are replaced, and pixels darker than the blend color do not 
change. 

Looks at the  color information  in  each  channel and  multiplies  the base color  by  the blend  color.  The result  

color is always a darker color. Multiplying any color with black produces black. Multiplying any color with white 
leaves the color unchanged. When you’re painting with a color other than black or white, successive strokes with a 
painting tool produce progressively darker colors. The effect is similar to drawing on the image with multiple 
marking pens. 

Looks at the color information in each channel and darkens the base color to reflect the blend color by 

increasing the contrast. Blending with white produces no change. 

Looks at the color information in each channel and darkens the base color to reflect the blend color by 

decreasing the brightness. Blending with white produces no change. 

Looks at the color information in each channel and selects the base or blend color—whichever is lighter— 

as the result color. Pixels darker than the blend color are replaced, and pixels lighter than the blend color do not 
change. 

Looks at each channel’s  color information  and multiplies the  inverse of the  blend and  base  colors. The  result  

color is always a lighter color. Screening with black leaves the color unchanged. Screening with white produces white. 
The effect is similar to projecting multiple photographic slides on top of each other. 

Looks at the color information in each channel and brightens the base color to reflect the blend color 

by decreasing the contrast. Blending with black produces no change. 

Looks at the  color information  in  each  channel and  brightens the  base  color to reflect  the blend  color  

by increasing the brightness. Blending with black produces no change. 

Multiplies or screens the colors, depending on the base color. Patterns or colors overlay the existing pixels 

while preserving the highlights and shadows of the base color. The base color is not replaced but is mixed with the 
blend color to reflect the lightness or darkness of the original color. 

Darkens or lightens the colors, depending on the blend color. The effect is similar to shining a diffused 

spotlight on the image. 

If the blend color (light source) is lighter than 50% gray, the image is lightened as if it were dodged. If the blend color 
is darker than 50% gray, the image is darkened as if it were burned in. Painting with pure black or white produces a 
distinctly darker or lighter area but does not result in pure black or white.