Adobe photoshop cs2 사용자 설명서

다운로드
페이지 815
727 
ADOBE PHOTOSHOP CS2 
User Guide 
Specifying overprint colors 
Overprint colors are two unscreened inks printed on top of each other. For example, when you print a cyan ink over
a yellow ink, the resulting overprint color is green. The order in which inks are printed, as well as variations in the
inks and paper, can significantly affect the final results.
To predict how colors will look when printed, use a printed sample of the overprinted inks and adjust your screen
display accordingly. Keep in mind that this adjustment affects only how the overprint colors appear on-screen, not
when printed. Before adjusting these colors, make sure to calibrate your monitor.
To adjust the display of overprint colors
Choose Image > Mode > Duotone.
Click Overprint Colors. The Overprint Colors dialog box shows how the combined inks will look when printed.
Click the color swatch of the ink combination that you want to adjust.
Select the desired color in the color picker, and click OK.
Repeat steps 3 and 4 until you are satisfied with the ink combination. Then click OK.
Saving and loading duotone settings 
Use the Save button in the Duotone Options dialog box to save a set of duotone curves, ink settings, and overprint 
colors. Use the Load button to load a set of duotone curves, ink settings, and overprint colors. You can then apply 
these settings to other grayscale images. 
Photoshop includes several sample sets of duotone, tritone, and quadtone curves. These sets include some commonly 
used curves and colors. Use these sets as starting points when you create your own combinations. 
To view the individual colors of a duotone image 
Because duotones are single-channel images, your adjustments to individual printing inks are displayed as part of 
the final composite image. In some cases, you may want to view the individual “printing plates” to see how the 
individual colors will separate when printed (as you can with CMYK images). 
After specifying your ink colors, choose Image > Mode > Multichannel. 
The image is converted to Multichannel mode, with each channel represented as a spot color channel. The contents 
of each spot channel accurately reflect the duotone settings, but the on-screen composite preview may not be as 
accurate as the preview in Duotone mode. 
Note: If you make any changes to the image in Multichannel mode, you can’t revert to the original duotone state (unless 
you can access the duotone state in the History palette). To adjust the distribution of ink and view its effect on the 
individual printing plates, make the adjustments in the Duotone Curves dialog box before converting to Multichannel 
mode. 
Select the channel you want to examine in the Channels palette. 
Choose Edit > Undo Multichannel to revert to Duotone mode. 
Printing duotones 
When creating duotones, keep in mind that both the order in which the inks are printed and the screen angles you 
use have a significant effect on the final output.