izotope ozone 사용자 설명서

SUMMARY

We hope that this guide gave you some ideas on how to use Ozone effectively as a mastering
tool. The difficult part of mastering (and trying to create a guide like this) is that every effect,

setting, and parameter is entirely dependent on the content of the mix, the genre, the desired

result, etc.

With this in mind, we don’t believe in products that fool you into thinking you can just select

the “Hot Pop Master!” preset and you’re done. If you know how to use Ozone, you’ll be able

to come up with a great sound on your own. And it will be your own great sound.

And as we said at the beginning, we’re not professional mastering engineers. But we had a

chance to work with many during the development of Ozone and we tried to pick their brains
and capture as much as possible in a guide that we felt would be useful. But in the end there

are no right answers, no wrong answers, and no rules. At least if there are, we still haven’t

found them. So just experiment and have fun.

Thanks,

iZotope, Inc.

P.S. Besides Ozone, we also invite you to check out our other effects processors and
guides.

iZotope Trash™

Multiband distortion, amp, filter and delay
modeling. Check out the guides, audio samples and

demo versions at

http://www.izotope.com/products/audio/trash/

"For those who crave distortion plug-ins, Trash is
the one to beat."

Keyboard Magazine

iZotope Spectron™

Add 64-bit spectral delays, panning, morphing and
filtering to your bag of tricks. Here it and try it at

http://www.izotope.com/products/audio/spectron/

“It would be hard to exhaust the sonic potential of
this plug-in.”

Sound on Sound Magazine

Ozone™ Mastering Guide

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