Lexicon MX300 사용자 매뉴얼

ER Time
Adjusts the amount of time before reverb early reflections occur.

ER Level
Adjusts the level of early reflections within the reverb.

Feedback Delay 
Changing this parameter changes the resonant frequencies of Plate reverb.

Feedback Level
Adjusts the Plate reverb's presence and prominence.

Boing
This is a unique parameter to the Spring reverb, designed to increase or decrease the 
amount of spring rattle that is a physical characteristic of spring tank reverbs.

Delays repeat a sound a short time after it first occurs. Delay becomes echo when the 
output is fed back into the input (feedback). This turns a single repeat into a series of 
repeats, each a little softer than the last. 

The Studio Delay features up to 2.5 seconds of stereo delay and offers a built-in 
ducker that attenuates the delay output whenever signal is present at the input. This 
can be used to keep the original signal from being muddied up by delay repeats.

The Mono Delay is the cleanest, most accurate of the delay programs, with up to 5 
seconds of mono delay and the built-in ducking feature. 

In the days before digital, delays were created using a special tape recorder in which 
the magnetic recording tape was looped, with closely-spaced recording and playback 
heads. The delay effect was created by the tape moving in the space between the record 
and playback heads – while delay time was adjusted by changing the speed of the tape 
loop. Although very musical-sounding, wow and flutter combined with a significant 
loss of high frequencies, and to some extent also low frequencies, are all elements 
commonly associated with tape recordings. The Tape Delay offers up to 5 seconds of 
mono delay. 

This delay effect pans the delay repeats from left to right, while the input signal 
remains at its original (center) position. Pong Delay offers up to 5 seconds of mono 
delay time.

Effects Descriptions