Nikon D810 1542 사용자 설명서
제품 코드
1542
I am delighted with the D810: it improves on everything I loved about the D800E. I’ve
been truly impressed with the quality of resolution, even in the first files I shot! The
crispness in details is reminiscent of medium format, but with all the ergonomics,
accessibility and usability of a D-SLR. Having ISO 64 means I can shoot wide open in
bright or outdoor situations and still maintain the best quality, without losing dynamic
range. The picture has to withstand that level of post-production — and the D810’s
images do.
been truly impressed with the quality of resolution, even in the first files I shot! The
crispness in details is reminiscent of medium format, but with all the ergonomics,
accessibility and usability of a D-SLR. Having ISO 64 means I can shoot wide open in
bright or outdoor situations and still maintain the best quality, without losing dynamic
range. The picture has to withstand that level of post-production — and the D810’s
images do.
When I first held the D810, my initial impressions were that it felt solid, elegant and
refined. But it wasn’t until I started shooting that the true magic came to life. There’s a
vivid richness and quality to the D810’s images that’s like nothing I’ve ever seen. The
autofocus is so fast and fluid that it allows me to creatively zero in on the energy of
the moment. Peak moments in action sports happen in one-thousandths of a second.
Having 100% confidence in the D810’s autofocus, along with the ability to shoot
approx. 5 fps and 7 fps (DX format), makes this the most versatile camera ever.
refined. But it wasn’t until I started shooting that the true magic came to life. There’s a
vivid richness and quality to the D810’s images that’s like nothing I’ve ever seen. The
autofocus is so fast and fluid that it allows me to creatively zero in on the energy of
the moment. Peak moments in action sports happen in one-thousandths of a second.
Having 100% confidence in the D810’s autofocus, along with the ability to shoot
approx. 5 fps and 7 fps (DX format), makes this the most versatile camera ever.
Shooting in the Maldives, you see dramatic gradations. Digital cameras don’t normally
excel in this environment, but the D810 captured tonal transitions smoothly and in
amazing detail. I use flash to bring out the brilliant colors of fish and coral underwater,
and conditions there are so bright that you often have to stop the aperture way down,
even at the fastest sync speed of 1/250 s. Having a low base sensitivity of ISO 64 meant
I could shoot with the aperture at around f/5.6-f/8 and enjoy the optimal image quality.
Simply put, the D810 is the perfect camera for creating images in ultimate quality.
excel in this environment, but the D810 captured tonal transitions smoothly and in
amazing detail. I use flash to bring out the brilliant colors of fish and coral underwater,
and conditions there are so bright that you often have to stop the aperture way down,
even at the fastest sync speed of 1/250 s. Having a low base sensitivity of ISO 64 meant
I could shoot with the aperture at around f/5.6-f/8 and enjoy the optimal image quality.
Simply put, the D810 is the perfect camera for creating images in ultimate quality.
Shooting DREAM PARK was a lot of fun — using the D810, the imagery we got was
so sharp and so beautiful, even the low-light scenes looked absolutely gorgeous. We
saw a very romantic and cinematic feel to the footage, regardless of the scene we were
shooting. From the most dimly lit alleys and industrial parks to a really high-key, overlit
swimming pool — the range of the D810 and the way it performed was absolutely
phenomenal.
so sharp and so beautiful, even the low-light scenes looked absolutely gorgeous. We
saw a very romantic and cinematic feel to the footage, regardless of the scene we were
shooting. From the most dimly lit alleys and industrial parks to a really high-key, overlit
swimming pool — the range of the D810 and the way it performed was absolutely
phenomenal.
Working with the D810 reminds me of the 4×5 camera I used when I started out as a
professional. By confirming focus in live view, setting the camera to mirror-up mode and
using the electronic front-curtain shutter, I can get images that are just as sharp as with
a 4×5 camera, or even sharper. Setting the camera’s sensitivity to ISO 64, reminiscent
of some of the great reversal films, and adjusting parameters including clarity in Picture
Control feels like selecting different types of film, only this camera makes it far easier
than it used to be for photographers to obtain the images they want.
professional. By confirming focus in live view, setting the camera to mirror-up mode and
using the electronic front-curtain shutter, I can get images that are just as sharp as with
a 4×5 camera, or even sharper. Setting the camera’s sensitivity to ISO 64, reminiscent
of some of the great reversal films, and adjusting parameters including clarity in Picture
Control feels like selecting different types of film, only this camera makes it far easier
than it used to be for photographers to obtain the images they want.
My photography is all about presence: I want to convey the feeling of actually being
there, at the scene. I was genuinely impressed by the D810’s ability to achieve a sense
of depth comparable to the large-format 4×5 and 8×10 cameras and reversal films that
I normally choose to work with. As an architecture photographer, the split-screen zoom
function in live view is also a valuable addition, helping you achieve perfect leveling
of the camera with horizontal parts of a building. The changes to the D810 may look
modest, but they’re actually radical improvements.
there, at the scene. I was genuinely impressed by the D810’s ability to achieve a sense
of depth comparable to the large-format 4×5 and 8×10 cameras and reversal films that
I normally choose to work with. As an architecture photographer, the split-screen zoom
function in live view is also a valuable addition, helping you achieve perfect leveling
of the camera with horizontal parts of a building. The changes to the D810 may look
modest, but they’re actually radical improvements.
Miss
Aniela
Fine Art/Fashion
Lucas
Gilman
Adventure/Film
Hisao
Asano
Natural Landscape
Shinichi
Sato
Cityscape/Architecture
Junji
Takasago
Nature/Underwater
Sandro
Portrait/
Commercial/Film
MEET THE D810 PHOTOGRAPHERS AND FILMMAKERS
Printed in Singapore Code No. NSG-EA-1403-1 (1406/A)
En
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WARNING
Specifications and equipment are subject to change without any notice or obligation on the part of the manufacturer. June 2014
2014 Nikon Corporation
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