Behringer Virtual Amplification V-AMP 3 사용자 설명서

VIRTUAL AMPLIFICATION V-AMP 3 User Manual

By using a MIDI pedal, such as the BEHRINGER FCB1010, you can access an 

additional Wah Wah effect. You may adjust the sweepable filter characteristic 

by entering EDIT mode, selecting the DRIVE menu and turning the EFFECTS knob 

while holding the TAP button. 

The following is a brief description of the various effects available on the V-AMP 3:
REVERB: Reverb is still the most important effect for mixing and live 

performance. That’s why we at BEHRINGER make a point of giving you 9 different 

reverb programs, allowing you to use the most suitable reverb program for any 

situation. The reverb effect can be added separately to all the other effects.
ECHO: Echo is a delayed repetition of the input signal. The main difference from 

the DELAY effect is that the high-frequency content of the repeated signals 

steadily decreases. This simulates a tape delay used in the pre-digital era, 

producing a vintage sound. In addition, the reflections are routed in turn to the 

left and right channels, creating a stereo effect.
DELAY: This algorithm repeats the input signal, with different tempo settings 

producing interesting delay effects. U2’s The Edge has impressively demonstrated 

the potential of this effect.
PING PONG: A delay effect that alternates between the left and right 

channel/speaker. 
PHASER: The principle behind the phaser is that a second, phase-shifted signal 

is added to the audio signal, creating a wave-like effect. This makes the sound 

richer and, above all, livelier. Depending on how you set it, the phaser can be 

used to produce slightly modulated or other worldly effects. 
FLANGER: This effect is similar to a phaser in the fact that it produces wave-like 

modulation to the guitar tone. Create psychedelic effects by mixing it heavily, 

or use a subtle mix to thicken up the tone. 
CHORUS: This effect adds a slightly modulated off-key element to the original 

signal, thus creating a pleasant floating effect through variations in pitch. 
PHASER & DELAY: Phaser and delay combined. 
FLANGER & DELAY: The input signal is delayed and processed with a pronounced 

wave-like effect. It is particularly effective for highlighting single notes, but can 

also be used to make solos more interesting. 
CHORUS & DELAY: This algorithm combines signal delay with the popular 

chorus effect.
CHORUS & COMP: Incredible sustain effects can be produced with the 

compressor. This is especially useful for sustaining individual guitar notes. 

Combined with chorus, it can make the audio signal extremely dense.
COMPRESSOR: A compressor limits the dynamic range of the guitar tone, 

thus producing audible and creative sound effects. Pronounced use of the 

compressor (using the EFFECTS control) allows rhythm sounds to really “pop”.
AUTO WAH: The legendary wah-wah effect owes its fame mainly to 

Jimi Hendrix. The auto-wah alters its filter frequency automatically depending on 

the signal’s magnitude, rather than being controlled by the position of a pedal. 

The effect causes a guitar’s note to make a distinct vowel sound, and is more 

pronounced the harder the strings are plucked or strummed. 
TREMOLO: Simulates the classic Fender Tremolo where the volume rapidly shifts 

up and down to a constant tempo. The tremolo effect has returned to popularity 

with trip-hop.

ROTARY: This is the quintessential simulation of the classic organ effect normally 

produced by speakers rotating at slow or fast speed inside a heavy speaker 

cabinet. This effect uses the physical principle of the Doppler effect to modulate 

the sound. 
NOISE GATE: Noise gates are used to remove or reduce noise or other 

interference. Guitar signals in particular are very sensitive to interference. 

Not only do guitarists often use high-gain settings, but guitar pickups can 

amplify unwanted interference that can be painfully apparent during breaks in 

the music. And how does a noise gate work? It simply mutes the signal during 

breaks, eliminating any interference at the same time.

The reverb effect is independent of the multi-effects processor and can be added 

to the mix signal at any time. To edit the REVERB function, enter EDIT mode 

(press BANK UP and DOWN simultaneously) and press button D. Use the arrow 

keys to select one of the 9 reverb types available: 

Tiny Room

Classic room simulation featuring various 

room sizes from bathroom to cathedral

Small Room

Medium Room

Large Room

Ultra Room

Special effect transforming guitar signals into 

heavenly pad sounds

Small Spring

Simulations of typical spring reverbs

Medium Spring

Short Ambience

Simulates the early reflections of a 

reverbless room

Long Ambience

Press the TUNER button to activate the built-in tuner. 

The chromatic tuner automatically recognizes the frequencies of all the standard 

guitar notes. For the A-string this means a frequency of 220 Hz. When you plug 

your guitar into the device and play an open string, the tuner will recognize 

and display the note. Since the tuner uses an auto-chromatic scale, it can also 

recognize semi-tones, which are shown with a “b” in the display. It may happen, 

however, that a note is displayed as “A” but is actually slightly out of tune. This is 

shown by at least one of the four red or yellow LEDs at the foot of the display 

lighting up. In certain cases even two of the LEDs may light up, which indicates 

that the pitch of the note played lies between the pitches represented by the two 

LEDs. When the circular tuner LED in the middle lights up, this means the note 

played is in tune. 

To give you maximum freedom for tuning your guitar, you can change the preset 

reference pitch “A”. To activate this function, switch on the tuner by pressing 

the TUNER button and switch to EDIT mode by pressing the two arrow keys 

simultaneously. The display will show “40”, which means 440 Hz. Use the arrow 

keys to raise or lower the reference pitch by up to 15 Hz. The display only shows 

the last two digits as the first digit is always 4. For example, if you start with 

a reference pitch of 440 Hz and press the right arrow three times, the display 

will read “43”, i.e. 443 Hz. To quit EDIT mode, press either the TUNER or the TAP 

button. Any changes will be stored automatically. The tones for the other strings 

on your guitar will automatically be adjusted to the new reference pitch.