Behringer CX3400 사용자 설명서

다운로드
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12
+
Always switch off the entire system before you press this button, as it produces heavy
interference noise that could damage your speakers and/or other equipment.
9
LOW SUM button. In stereo mode, the two Low paths can be summed with the LOW SUM button and
routed to the Low output of channel 1, which is particularly useful in systems using additional sub-
woofers.
12
LOW (LF SUM) OUTPUT connector. Output for the Low band signal.
13
XOVER FREQ. button. This button serves to switch over the control range of the front-panel LOW/
MID XOVER FREQ. control from 45 to 960 Hz or 450 Hz to 9.6 kHz.
+
Always switch off the entire system before you press this button, as it produces heavy
interference noise that could damage your speakers and/or other equipment.
14
INPUT connector. Input signal connector.
2.2.3 Mono 4-way operation
First, activate mono 4-way mode by means of the two MODE buttons on the rear panel. The MONO-LED on
the front panel, above the first LOW CUT button, lights up.
Fig. 2.8: Proper selection of the two MODE switches for mono 4-way operation
Subsequently, the LEDs above the active controls on the front panel light up, signaling which controls are
active in the operating mode you just selected. The functions of these controls can be seen from the first strip
label.
Fig. 2.9: Active control elements on the front panel of the SUPER-X PRO
1
INPUT control. This control adjusts the input gain from +12 to -12 dB.
2
LOW CUT button. This button activates the 25-Hz high-pass filter protecting the woofers against low-
frequency signals.
3
LOW/LOW-MID XOVER FREQ. control. This control governs the crossover frequency between the
Low and Low-Mid bands. When the XOVER FREQUENCY button on the rear of the unit is pressed, the
frequency range is multiplied by the factor 10.
4
LOW-MID/HIGH-MID XOVER FREQ. control. This control governs the crossover frequency between
the Low-Mid and High-Mid bands.
5
DELAY control. This control delays the Low signal by as much as 2 ms, which is useful to align the
speaker systems in phase.
2. THE DESIGN CONCEPT