Boss Audio Systems GT-100 사용자 설명서

Models the sound of the Channel 2 

MODERN Mode on the MESA/Boogie 

DUAL Rectifier.

This models a Hughes & Kettner 

Triamp AMP3.

This models a Soldano SLO-100. This 

is the typical sound of the eighties.

This models the lead channel of a 

Peavey EVH 5150.

This is a custom preamp.
You can customize it however you 

like to match the sound you want.

This is a list of the effects that can be selected for FX1/FX2.

T . WAH
(Touch Wah)

You can produce a wah effect with the filter 

changing in response to the guitar level.

AUTO WAH
(Auto Wah)

This changes the filtering over a periodic cycle, 

providing an automatic wah effect.

You can control the wah effect in real time by 

adjusting the [EXP] pedal or the expression pedal 

connected to the SUB CTL 1, 2/SUB EXP jack.

ADV . COMP
(Advanced  

Compressor)

This is an effect that produces a long sustain by 

evening out the volume level of the input signal. 

You can also use it as a limiter to suppress only the 

sound peaks and prevent distortion.

The limiter attenuates loud input levels to prevent 

distortion.

This effect distorts the sound to create long 

sustain. It provides 21 types of distortion. For the 

types of distortion that can be selected for OD/DS, 

refer to “OD/DS Type List.”

*  “CUSTOM” is not available.

GRAPHIC EQ
(Graphic Equalizer)

This adjusts the tone as a equalizer. You can adjust 

the sound quality in ten bands.

PARA EQ
(Parametric Equalizer)

Adjusts the tonal quality. You can adjust the sound 

quality in four bands.

This changes the tone of the connected guitar.

GUITAR SIM
(Guitar Simulator)

Simulation of the characteristics of particular guitar 

components such as pickups and different guitar 

bodies allows you to switch among a number of 

different guitar types all while using a single guitar.

This produces a volume-swell effect (“violin-like” 

sound).

This simulates a fretless guitar.

This is a synth sound that processes the guitar 

input signal.

SITAR SIM .
(Sitar Simulator)

This simulates the sound of the sitar.

This adds a note one octave lower, creating a richer 

sound.

This effect changes the pitch of the original sound 

(up or down) within a range of two octaves.

Harmonist is an effect where the amount of 

shifting is adjusted according to an analysis of the 

guitar input, allowing you to create harmonics 

based on diatonic scales.

You can have sound played on the guitar be held 

continuously. This effect allows you to perform the 

melody in the upper registers while holding a note 

in the lower registers.

AC . PROCESSOR
(Acoustic Processor)

This processor allows you to change the sound 

produced by the pickup on an acoustic electric 

guitar, creating a richer sound similar to that 

obtained with a microphone placed close to the 

guitar.

By adding varied-phase portions to the direct 

sound, the phaser effect gives a whooshing, 

swirling character to the sound.

The flanging effect gives a twisting, jet-airplane-

like character to the sound.

Tremolo is an effect that creates a cyclic change in 

volume.

This produces an effect like the sound of a rotary 

speaker.

This models a Uni-Vibe.
Although this resembles a phaser effect, it also 

provides a unique undulation that you can’t get 

with a regular phaser.

With the volume level of the left and right sides 

alternately changing, when playing sound in 

stereo, you can get an effect that makes the guitar 

sound appear to fly back and forth between the 

speakers.

This consecutively interrupts the sound to create 

the impression that a rhythm backing phrase is 

being played.

This effect creates vibrato by slightly modulating 

the pitch.

This creates a bell-like sound by ring-modulating 

the guitar sound with the signal from the internal 

oscillator. The sound can be unmusical and lack 

distinctive pitches.

This can create human vowel-like sounds.

Frequency band division is employed to produce 

two different choruses, one for low frequencies and 

one for higher frequencies, for both the left and 

right channels (for a total of four). This allows you 

to achieve a more natural chorus sound.

This is a delay with the maximum delay time of 

1,000 ms. This effect is useful for making the sound 

fatter.