Korg Bicycle PS60 사용자 설명서
OSC/Pitch Program Basic
25
OSC/Pitch
These pages control the first and most basic elements of
sounds: the Multisamples that the oscillators play, and the
pitch used to them. For instance, you can:
sounds: the Multisamples that the oscillators play, and the
pitch used to them. For instance, you can:
• Select Multisamples for Single and Double Programs.
• Set up velocity splits, crossfades, and layers for Single
• Set up velocity splits, crossfades, and layers for Single
and Double Programs.
• Set the basic pitch of the sound, including the octave, fine
tuning, and so on.
• Control pitch modulation using a variety of controllers
such as LFO, pitch EG, and the joystick.
Note that when the Oscillator Mode is set to Single, only
Oscillator 1’s filters are active; the pages for Oscillator 2’s fil‐
ters will be grayed out.
Oscillator 1’s filters are active; the pages for Oscillator 2’s fil‐
ters will be grayed out.
OSC1
This setting will depend on the Oscillator Mode setting.
If it is Single or Double, each oscillator can use up to four
multisamples.
If it is Single or Double, each oscillator can use up to four
multisamples.
• Multisamples lay out one or more samples across the
keyboard. For instance, a very simple guitar Multisample
might have six samples–one for each string.
might have six samples–one for each string.
Velocity splits, crossfades, and layers
As mentioned above, each Oscillator has four velocity
zones, named High through Low. Each of these zones can
play a Multisample, and each has separate settings for
Level, Start Offset, and so on.
Each of the zones can fade into the next, to create smoother
velocity transitions. Zones can even be layered together, two
at a time.
You can stack a maximum of two velocity zones, causing
two samples to sound simultaneously (layering). You can
zones, named High through Low. Each of these zones can
play a Multisample, and each has separate settings for
Level, Start Offset, and so on.
Each of the zones can fade into the next, to create smoother
velocity transitions. Zones can even be layered together, two
at a time.
You can stack a maximum of two velocity zones, causing
two samples to sound simultaneously (layering). You can
also use velocity to smoothly fade between the samples of
these two zones (velocity crossfading).
these two zones (velocity crossfading).
“Oscillator Mode” Single, Double
High
These are the settings for the first and highest velocity zone.
If you want to create a simple setup with only a single Mul‐
tisample, just set up High as desired, and then set the “Bot‐
tom Vel.” (Bottom Velocity) to 1 and the “Range” to Off.
If you want to create a simple setup with only a single Mul‐
tisample, just set up High as desired, and then set the “Bot‐
tom Vel.” (Bottom Velocity) to 1 and the “Range” to Off.
Multisample On/Off
[Off, On]
This specifies whether the High multisample will sound. It
will sound if this is On.
will sound if this is On.
Bank
[Mono, Stereo]
This is displayed if Multisample On/Off is On.
You can choose between looking at mono and stereo Multi‐
samples. Note that stereo Multisamples will require twice as
many voices as mono Multisamples.
Mono: Internal monaural multisamples.
Stereo: Internal stereo multisamples.
You can choose between looking at mono and stereo Multi‐
samples. Note that stereo Multisamples will require twice as
many voices as mono Multisamples.
Mono: Internal monaural multisamples.
Stereo: Internal stereo multisamples.
Multisample select
[List of Multisample]
This specifies a multisample for High.
Some multisamples have an upper limit; notes played
above that limit will not sound.
above that limit will not sound.
Set the Scale “Type” (page 22) to Equal Temperament
when using mono: 0002, 00003, 0006, 0007, 0009, Stereo:
0001, or 0003 as the multisample.
when using mono: 0002, 00003, 0006, 0007, 0009, Stereo:
0001, or 0003 as the multisample.