Korg Bicycle PS60 사용자 설명서
Amp Filter2 EG
45
Amp
Oscillators 1 and 2 have separate controls for volume (also
called “amplitude,” or “amp” for short); pan; and as well as
dedicated amp envelopes and keyboard tracking genera‐
tors.
These pages let you control all of these related parameters.
Among other things, you can:
called “amplitude,” or “amp” for short); pan; and as well as
dedicated amp envelopes and keyboard tracking genera‐
tors.
These pages let you control all of these related parameters.
Among other things, you can:
• Set the pan position and pan modulation.
• Control amp level and modulation, including keyboard
• Control amp level and modulation, including keyboard
tracking, the amp envelope, LFO modulation, and AMS
control.
control.
Note that when the Oscillator Mode is set to Single, only
Oscillator 1’s amp and pan are active; the pages for Oscilla‐
tor 2 will be grayed out.
Oscillator 1’s amp and pan are active; the pages for Oscilla‐
tor 2 will be grayed out.
Amp1
This page controls the basic settings for the Amp section.
Here, you can:
Here, you can:
• Set the initial volume level.
• Control the pan position and pan modulation.
• Control the pan position and pan modulation.
Level
[000...127]
This controls the basic volume level of Oscillator 1, before
keyboard tracking, velocity, and other modulation.
keyboard tracking, velocity, and other modulation.
MIDI and volume
You can control the Program’s overall volume via MIDI
using both Volume (CC#7) and Expression (CC#11).
When used one at a time, the two controllers work in
exactly the same way: a MIDI value of 127 is equal to
the Amp “Level” setting, and lower values reduce the
volume.
using both Volume (CC#7) and Expression (CC#11).
When used one at a time, the two controllers work in
exactly the same way: a MIDI value of 127 is equal to
the Amp “Level” setting, and lower values reduce the
volume.
If both CC#7 and CC#11 are used simultaneously, the
one with the lower value determines the maximum vol‐
ume, and the one with the higher value scales down
from that maximum.
This is controlled on the global MIDI channel (page 72).
one with the lower value determines the maximum vol‐
ume, and the one with the higher value scales down
from that maximum.
This is controlled on the global MIDI channel (page 72).
Pan
[RND, L001...C064...R127]
This controls the stereo pan of Oscillator 1. A setting of L001
places the sound at the far left, C064 in the center, and R127
to the far right.
When this is set to RND (Random), the pan position will be
different for each note‐on.
places the sound at the far left, C064 in the center, and R127
to the far right.
When this is set to RND (Random), the pan position will be
different for each note‐on.
You can also control pan via MIDI Pan (CC#10). A
CC#10 value of 0 or 1 places the sound at the far left, 64
places the sound at the location specified by the Pan
parameter, and 127 places the sound at the far right.
This is controlled on the global MIDI channel (page 72).
CC#10 value of 0 or 1 places the sound at the far left, 64
places the sound at the location specified by the Pan
parameter, and 127 places the sound at the far right.
This is controlled on the global MIDI channel (page 72).
Pan AMS Src (Pan AMS Source)[List of AMS Sources]
This selects an AMS source to modulate Pan. For a list of
AMS sources, please see “Alternate Modulation Source
(AMS)” on page 121.
AMS sources, please see “Alternate Modulation Source
(AMS)” on page 121.
Pan AMS Int (Pan AMS Intensity)
[–99...+99]
This controls the depth and direction of the AMS modula‐
tion for Pan.
For example, if “Pan” is set to C064 and “Pan AMS Source”
is set to Note Number, positive (+) intensities will cause the
sound to move toward the right as you play higher than C4,
and toward the left as you play lower than C4. Negative (–)
intensities will have the opposite effect.
tion for Pan.
For example, if “Pan” is set to C064 and “Pan AMS Source”
is set to Note Number, positive (+) intensities will cause the
sound to move toward the right as you play higher than C4,
and toward the left as you play lower than C4. Negative (–)
intensities will have the opposite effect.