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BIG KNOB
BIG KNOB
4
Introduction
Thank you for choosing the Mackie Big Knob, 
your signal routing and monitoring solution for your 
DAW-based studio. Big Knob provides a control 
room matrix and the basic features of an expensive 
mixer, but tailored for the requirements of your 
DAW (Digital Audio Workstation) environment. 
These features include selecting up to four separate 
stereo input sources, monitoring through three dif-
ferent speakers for A/B/C comparisons, providing a 
separate headphone mix and a studio output for the 
talent, and a built-in talkback mic for slate-to-tape 
and headphone cueing. In other words, it gives you 
everything you need from a mixer, without the stuff 
you don’t need!
Another important feature you’ve come to expect 
from Mackie is pristine sound quality, and Big Knob 
is no exception. This is studio-quality gear, and we 
made sure the audio signal suffers no degradation 
by passing through Big Knob. You can connect this 
baby between your expensive DAW and your 
really 
expensive studio monitors with no reservations. 
Big Knob will pass the test!
Big Knob is part of the growing family of Mackie 
computer recording products. Visit our website 
needs that Mackie has to offer, or pick up a catalog 
at your nearest Mackie dealer.
Getting Started
The following steps will help you set up your Big 
Knob and get the levels adjusted correctly. Once you 
have made the connections and adjustments, refer to 
the Features section for more in-depth information 
about each input, output, switch, and control knob.
Most of the inputs and outputs on Big Knob 
have either a trim control or a level switch 
labeled –10 dB and +4 dB. This actually 
comes from two standard operating levels 
that have evolved in the audio industry:  
–10 dBV consumer level and +4 dBu pro-
fessional level. Most consumer equipment with RCA 
connectors operate at the –10 dBV level, while most 
professional equipment with 1/4-inch phone jacks 
or XLR connectors operate at the +4 dBu level. 
As you might expect, the +4 dBu level is higher 
(louder) than the –10 dBV level, so it is important to 
match the input and output levels of Big Knob to the 
equipment you have connected to it. For a Big Knob 
input, the –10 dB setting accepts a smaller signal 
and provides more gain than the +4 dB setting. For 
a Big Knob output, the –10 dB setting produces a 
smaller signal than the +4 dB setting.
Zero the Controls
1.  Turn off the POWER switch
on the rear panel.
2.  On the front panel, turn the Big VOLUME Knob
and all the LEVEL controls all the way down 
(counterclockwise).
3.  Set all the switches to the up position (front 
and rear panels).
4.  On the rear panel, turn all the trim controls all 
the way down (counterclockwise).
Connections
1.  Connect the supplied detachable power cord to 
the AC socket
on the rear panel of Big Knob. 
Set the AC SELECT switch
 to the correct 
position that corresponds to the AC voltage you 
are using (100-120V or 220-240V).
For Monitoring:
2.  Connect the audio outputs (stereo mix) from 
your DAW’s audio interface to the two DAW MIX
input jacks on the rear panel of Big Knob.
INPUT SOURCE(S)
PHONES MIX INPUT
OFF
ON
POWER
POWER
MUTE
DIM
MONO
TO
PHONES/
STUDIO
TO
2-TRACKS
LEVEL
LEVEL
1
O
O
MAX
O
O
MAX
2
O
O
MAX
O
O
MAX
TALKBACK
STUDIO OUTS
INPUT SOURCE SELECT
PHONES/
STUDIO OUTS
SOURCE
DAW
MIX
2-TRACK
A
2-TRACK
B
PHONO
MONITOR SELECT
A
B
C
OL
8
0
4
8
24
INPUT
PHONES
0 = 
+
4dBu
VOLUME
MAX
O
O
MIC