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ENGLISH
V-AMP 3 User Manual
16
Separate Reverb Effect
The reverb effect is independent of the multi-effects processor and can
be added to the mix signal at any time. To edit the REVERB function,
enter EDIT mode (press BANK UP and DOWN simultaneously) and press
button D. Use the arrow keys to select one of the 9 reverb types avail-
able:
be added to the mix signal at any time. To edit the REVERB function,
enter EDIT mode (press BANK UP and DOWN simultaneously) and press
button D. Use the arrow keys to select one of the 9 reverb types avail-
able:
Reverb #
Reverb Type
Quality
1
Tiny Room
Classic room simulation featuring
various room sizes from bathroom to
cathedral
2
Small Room
3
Medium Room
4
Large Room
5
Ultra Room
Special effect transforming guitar
signals into heavenly pad sounds
6
Small Spring
Simulations of typical spring reverbs
7
Medium Spring
8
Short Ambience
Simulates the early reflections of a
reverbless room
9
Long Ambience
Tuner
Press the TUNER button to activate the built-in tuner.
Tuning your guitar
The chromatic tuner automatically recognizes the frequencies of all the
standard guitar notes. For the A-string this means a frequency of 220 Hz.
When you plug your guitar into the device and play an open string, the
tuner will recognize and display the note. Since the tuner uses an auto-
chromatic scale, it can also recognize semi-tones, which are shown with
a “b” in the display. It may happen, however, that a note is displayed as
“A” but is actually slightly out of tune. This is shown by at least one of the
four red or yellow LEDs at the foot of the display lighting up. In certain
cases even two of the LEDs may light up, which indicates that the pitch
of the note played lies between the pitches represented by the two
LEDs. When the circular tuner LED in the middle lights up, this means the
note played is in tune.
standard guitar notes. For the A-string this means a frequency of 220 Hz.
When you plug your guitar into the device and play an open string, the
tuner will recognize and display the note. Since the tuner uses an auto-
chromatic scale, it can also recognize semi-tones, which are shown with
a “b” in the display. It may happen, however, that a note is displayed as
“A” but is actually slightly out of tune. This is shown by at least one of the
four red or yellow LEDs at the foot of the display lighting up. In certain
cases even two of the LEDs may light up, which indicates that the pitch
of the note played lies between the pitches represented by the two
LEDs. When the circular tuner LED in the middle lights up, this means the
note played is in tune.
Setting reference pitch “A”
To give you maximum freedom for tuning your guitar, you can change
the preset reference pitch “A.” To activate this function, switch on the
tuner by pressing the TUNER button and switch to EDIT mode by press-
ing the two arrow keys simultaneously. The display will show “40,” which
means 440 Hz. Use the arrow keys to raise or lower the reference pitch
by up to 15 Hz. The display only shows the last two digits as the first digit
is always 4. For example, if you start with a reference pitch of 440 Hz and
press the right arrow three times, the display will read “43,” i.e. 443 Hz. To
quit EDIT mode, press either the TUNER or the TAP button. Any changes
will be stored automatically. The tones for the other strings on your
guitar will automatically be adjusted to the new reference pitch.
the preset reference pitch “A.” To activate this function, switch on the
tuner by pressing the TUNER button and switch to EDIT mode by press-
ing the two arrow keys simultaneously. The display will show “40,” which
means 440 Hz. Use the arrow keys to raise or lower the reference pitch
by up to 15 Hz. The display only shows the last two digits as the first digit
is always 4. For example, if you start with a reference pitch of 440 Hz and
press the right arrow three times, the display will read “43,” i.e. 443 Hz. To
quit EDIT mode, press either the TUNER or the TAP button. Any changes
will be stored automatically. The tones for the other strings on your
guitar will automatically be adjusted to the new reference pitch.
MIDI
MIDI connections
The MIDI standard (Musical Instrument Digital Interface) was developed
in the early ‘80s to enable different makes of electronic instruments to
communicate with each other. Over the years, the range of MIDI applica-
tions has constantly expanded, and today it is standard practice to
network entire recording studios using the MIDI standard. The heart of
such a network is a computer with sequencer software that controls not
only all the keyboards but also affects other peripheral devices. In such a
studio setup you can control the V-AMP 3 in real time from a computer.
For live performances in particular, you can also use a MIDI foot control-
ler to control both effect parameters and preset changes.
in the early ‘80s to enable different makes of electronic instruments to
communicate with each other. Over the years, the range of MIDI applica-
tions has constantly expanded, and today it is standard practice to
network entire recording studios using the MIDI standard. The heart of
such a network is a computer with sequencer software that controls not
only all the keyboards but also affects other peripheral devices. In such a
studio setup you can control the V-AMP 3 in real time from a computer.
For live performances in particular, you can also use a MIDI foot control-
ler to control both effect parameters and preset changes.
The MIDI connectors are international-standard 5-pin DIN connectors. To
connect your device to other MIDI equipment you will need dedicated
MIDI cables. They are commercially available in various standard lengths.
connect your device to other MIDI equipment you will need dedicated
MIDI cables. They are commercially available in various standard lengths.
MIDI IN: This receives MIDI controller data. The receiving channel can
be adjusted in EDIT mode by pressing the A button and then using the
arrow keys.
be adjusted in EDIT mode by pressing the A button and then using the
arrow keys.
MIDI OUT/THRU: This sends data to a computer or any other device. You
can transmit both preset data and parameter changes. If set to MIDI
THRU, the V-AMP 3 does not send its own MIDI information, but passes
on the signal received at the MIDI IN connector. The TAP LED lights when
the V-AMP 3 is set to MIDI THRU (see the Edit mode section for details).
can transmit both preset data and parameter changes. If set to MIDI
THRU, the V-AMP 3 does not send its own MIDI information, but passes
on the signal received at the MIDI IN connector. The TAP LED lights when
the V-AMP 3 is set to MIDI THRU (see the Edit mode section for details).
Sending/receiving MIDI SysEx data
The V-AMP 3 can receive system-exclusive data from other MIDI devices
provided that the MIDI function (button A) has been activated in EDIT
mode. However, this means that all presets on your device will be over-
written automatically. You can also transmit MIDI data from your V-AMP
3 to other devices (total dump) by switching to EDIT mode and holding
the MIDI button (A) until the display reads “d.” The total dump function
The V-AMP 3 can receive system-exclusive data from other MIDI devices
provided that the MIDI function (button A) has been activated in EDIT
mode. However, this means that all presets on your device will be over-
written automatically. You can also transmit MIDI data from your V-AMP
3 to other devices (total dump) by switching to EDIT mode and holding
the MIDI button (A) until the display reads “d.” The total dump function