Roland Fantom-X8 Manual Do Utilizador

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63
Creating a Patch
 
Wave Gain 
 
Sets the gain (amplification) of the waveform. The value changes in 6 
dB (decibel) steps—an increase of 6 dB doubles the waveform’s gain. 
If you intend to use the Booster to distort the waveform’s sound, set 
this parameter to its maximum value (p. 65).
 
Value:
 
 -6, 0, +6, +12
 
Wave Tempo Sync
 
When you wish to synchronize a Phrase Loop to the clock (tempo), 
set this to “ON.” This is valid only when a separately sold wave 
expansion board is installed, and a waveform that indicates a tempo 
(BPM) is selected as the sample for a tone.
 
Value:
 
 OFF, ON
 
If a waveform from a wave expansion board is selected for the 
tone, turning the Wave Tempo Sync parameter “ON” will cause 
pitch-related settings (p. 67) and FXM-related settings (p. 63) to 
be ignored.
• If a sample is selected for a tone, you must first set the BPM 
(tempo) parameter of the sample.
• If a sample is selected for a tone, Wave Tempo Sync will require 
twice the normal number of voices.
• When the Wave Tempo Sync parameter is set to “ON,” set the 
Delay Time parameter (p. 79) to “0.” With other settings, a delay 
effect will be applied, and you will be not be able to play as you 
expect.
 
FXM Switch 
 
This sets whether FXM will be used (ON) or not (OFF).
 
Value:
 
 OFF, ON
 
FXM Color 
 
Specifies how FXM will perform frequency modulation. Higher 
settings result in a grainier sound, while lower settings result in a 
more metallic sound.
 
Value:
 
 1–4
 
FXM Depth 
 
 
 
 
Specifies the depth of the modulation produced by FXM.
 
Value:
 
 0–16
You can use the force with which keys are played, or MIDI messages 
to control the way each Tone is played. This is referred to as the Tone 
Mix Table (TMT).
 
fig.06-013_50
 
 
 
 
Structure Type 1 & 2, 3 & 4 
 
Determines how tone 1 and 2, or tone 3 and 4 are connected.
 
Value:
 
 1–10
The following 10 different Types of combination are available.
 
fig.06-014
 
With this type, tones 1 and 2 (or 3 and 4) are independent. Use this 
type when you want to preserve PCM sounds or create and combine 
sounds for each tone.
 
fig.06-015
 
This type stacks the two filters together to intensify the 
characteristics of the filters. The TVA for tone 1 (or 3) controls the 
volume balance between the two tones.
1
Phrase Loop
Phrase loop
 refers to the repeated playback of a phrase that’s 
been pulled out of a song (e.g., by using a sampler). One 
technique involving the use of Phrase Loops is the excerpting of 
a Phrase from a pre-existing song in a certain genre, for example 
dance music, and then creating a new song with that Phrase 
used as the basic motif. This is referred to as “Break Beats.”
Realtime Time Stretch
If the wave group is “SAMP” or “MSAM,” and the Wave 
Tempo Sync parameter is turned “ON,” you can vary the 
playback speed of the waveform without affecting the pitch.
2
FXM
FXM (Frequency Cross Modulation) uses a specified waveform 
to apply frequency modulation to the currently selected 
waveform, creating complex overtones. This is useful for 
creating dramatic sounds or sound effects.
 
Changing How a Tone Is Sounded 
(TMT)
3
4
TONE 1 (3)
TONE 2 (4)
TVA
TVF
WG
WG
TVF
TVA
TYPE 1
TONE 1 (3)
TONE 2 (4)
TVA
TVF
WG
WG
TVF
TVA
TYPE 2
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