Behringer B215D Manual Do Utilizador

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cause audible distortion. BEHRINGER didn’t invent 
Class-D technology, but our R&D Department has 
been working for years to perfect our own version 
with all the benefi ts of reduced weight and cool 
running, and none of the drawbacks. That’s why 
we invested over a solid year of research time 
eliminating pitfalls like quantizing errors and 
excess dead time, selecting just the right switching 
frequency (and other equally tech-y terms). 
And why we spent an equally long time testing 
individual components to ensure they will stand up 
to the rigors of the real world.

When combined with switching-mode power 

supplies that replace heavy toroid transformers, 
our new designs provide more dynamic punch 
since the higher switching frequency reloads the 
supply’s capacitors much faster. And, because 
they are so much more effi

  cient, the D Series runs 

cooler and doesn’t require huge, heavy heat sinks. 
The resulting speakers systems are much lighter, 
making them easy to transport and set up. Our 
no-compromise design means your D Series active 
loudspeakers will deliver full power and incredible 
fi delity all night long, with no need for rest cycles. 

With just a single D Series loudspeaker system 

and a microphone or MP3 player, you can set 
up an instant sound system. Thanks to the built-
in preamp section, you just connect a dynamic 
mic and raise and lower the volume with 
the Level control. Plug in your sound source, 
place the speaker on a tabletop or stand, and 
power up. It’s just that easy. And if you need more 
coverage, simply use the convenient LINK OUTPUT 
XLR connector to add more active loudspeakers.

You can even use two D Series enclosures for 

stereo playback of your MP3, CD or old-skool 
cassette deck without any additional hardware. 
Just plug the appropriate stereo “breakout” adapter 
into your deck’s output jack and run the cables to 
the ¼" inputs on each loudspeaker. Set the Level 
and EQ controls the same on both enclosures. 
Voilà, instant party!

¼" input jack 
for balanced 
TRS and 
unbalanced TS 
connections

MIC/LINE input 
jack with internal 
microphone 
preamplifi er for 
balanced XLR 
connections

LINK OUTPUT 
XLR jack lets you 
connect additional 
BEHRINGER active 
loudspeaker 
systems

LEVEL control 
with CLIP LED 
for optimizing 
input signal 
level

EQ HIGH & 
LOW shelving 
equalization 
controls cuts 
or boosts the 
treble (12kHz) 
and bass (80Hz) 
range by 15 dB

Power LED 

Thanks to their trapezoidal 

design, these cabinets can be laid on their 
side providing the ideal angle for onstage 
monitor wedge applications. Hookup is 
simple, requiring only a single XLR or 
¼" cable from the monitor send on your 
mixing console and, of course, power. 
Additional monitors can be chained 
together via the XLR LINK OUTPUT jack 
on the rear panel.

Let’s face it; the transducers (woofers 

and tweeters) are the only part of a 
sound system you actually hear, so we 
don’t cut any corners. While some of 
our competitors are content to buy 
off -the-shelf transducers and plug them 
into their boxes, we custom-design and 
build our transducers from scratch. Not 
only do we wind our own voice coils, 
we process the paper pulp into cones 
and even machine our own backplates. 
This enables us to control the quality, 
and frankly, make better components, 
like the long-excursion LF transducers 
and state-of-the-art 1.35" compression 
drivers we deploy in each and every 
EUROLIVE enclosure. 

The EUROLIVE D Series was built with 

extended low frequency handling in 
mind. With a tuned port, internally braced, 
injection molded enclosure, each model’s 
custom-designed LF transducer (woofer) 
really cranks out tight low end. Keep in 
mind that bass response varies according 
to LF transducer size, so the larger the 
speaker, the more bass you will be able to 
generate. 

Even if your particular application 

doesn’t include booming bass, you’ll 
love the sheer accuracy of these 
loudspeakers. Over a year of design 
went into a exponential horn/aluminum 
dome compression driver combination 
that could do justice to loud hard rock 
or dance music — yet could also satisfy 
audiophiles with its musical timbre and 
attention to detail. For spoken word, 
singing or acoustical instruments, they are 
un-matched for being able to articulate 
complex harmonic details. In fact, many 
customers think it’s the most natural-
sounding speaker they’ve ever heard at 
anywhere near the price.