Yamaha L Series Manual Do Utilizador
New Bracing Designs
All L-series guitars benefit from a new non-scalloped bracing design that delivers
tone that is thick and well focused. The #36 and #26 model instruments feature
a square bracing design which utilizes side braces to connect the top brace
with its opposite brace on the back. This arrangement transmits string resonance
to the back much quicker, causing the entire instrument to come alive with
bass response, which the player feels as well.
tone that is thick and well focused. The #36 and #26 model instruments feature
a square bracing design which utilizes side braces to connect the top brace
with its opposite brace on the back. This arrangement transmits string resonance
to the back much quicker, causing the entire instrument to come alive with
bass response, which the player feels as well.
新デザインブレイシング
全“L”シリーズに、新デザインのノンスキャロップ・
ブレイシング構造を採用。太くハリのあるサウンドが
特徴です。また、#36/#26モデルでは、
スクエア・ブ
レイシング構造を採用。表板と裏板のブレイスをつ
なぐサイドブレイスを追加することで、弦振動をより
なぐサイドブレイスを追加することで、弦振動をより
速くより確実に裏板に伝え、優れたレスポンスと力
強い響きを生み出します。
強い響きを生み出します。
Body Selection
Whether you prefer a full-sized LL dreadnought, small-sized LS body, auditorium-
sized LJ, or versatile LX acoustic-electric, the choice is yours. Each of these
body styles is represented in
each class letting you choose
the instrument that meets your
requirements for sound, style,
and affordability.
sized LJ, or versatile LX acoustic-electric, the choice is yours. Each of these
body styles is represented in
each class letting you choose
the instrument that meets your
requirements for sound, style,
and affordability.
3タイプのボディサイズ
ボディはドレッドノートスタイルのフル
サイズ LL 、スモールサイズの LS 、
オーディ
サイズ LL 、スモールサイズの LS 、
オーディ
トリアムサイズのLJの3タイ
プをラインナップ。サウンド、
スタイル、
ご予算に合わせてお好みのモデルを
お探しください。
Bridge
The bridges on all new L-Series guitars offer
more overall mass than their predecessors
t o d e l i ve r g r e a t e r t o n e f r o m t h e s e
instruments. Their designs feature smooth
lines and edges to keep the playing surface
unencumbered.
more overall mass than their predecessors
t o d e l i ve r g r e a t e r t o n e f r o m t h e s e
instruments. Their designs feature smooth
lines and edges to keep the playing surface
unencumbered.
ブリッジ
従来のモデルよりも大きく、重量のあるブリッジを採
用。弦の振動を確実に拾い、表現力豊かなサウン
用。弦の振動を確実に拾い、表現力豊かなサウン
ドを引き出します。また、面取りが施された滑らかな
エッジが、
スムーズな演奏を可能にします。
Cutaway Body
Venetian cutaways offer access to the upper frets
while adding beauty to these fine instruments.
while adding beauty to these fine instruments.
カッタウェイ
美しいカーブを描くベネチアンカッタウェイは、
ハイポジション
でのプレイを容易にします。
Tuners
The vintage style brass tuners found on all
#26 model guitars present these instruments
with a classic look.
#26 model guitars present these instruments
with a classic look.
糸巻（ペグ）
#26モデルにはビンテージの香り漂うブラス製ペグ
を採用。
Multilayered Reinforced Neck
The five-piece necks on the #36 and #26 models are carved from a single
laminated block that features two layers of padauk—an extremely hard wood
used for marimba tone bars—sandwiched between three layers of mahogany.
laminated block that features two layers of padauk—an extremely hard wood
used for marimba tone bars—sandwiched between three layers of mahogany.
Using a mixture of woods in this manner creates a neck that is exceptionally strong
and stable. The #16 and #6 model instruments utilize similar 3-ply design of rosewood
between two layers of mahogany.
and stable. The #16 and #6 model instruments utilize similar 3-ply design of rosewood
between two layers of mahogany.
積層強化ネック
#36/#26モデルは、
マリンバの音
板にも使われる硬材パドックとマ
ホガニーによる5 層構造ネック。
#16/#6モデルは、
ホガニーによる5 層構造ネック。
#16/#6モデルは、
ローズウッドを
マホガニーで挟んだ3層構造ネッ
ク。強度と安定性に優れ、
ソリや
ねじれにも強いので、安定したネッ
クコンディションを保ちます。
LL
LS
LJ
Square Bracing
5 ply
3 ply
3
4
（スクエア・ブレイシング）
（5 層）
（3 層）
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