Yamaha YPP-200 Manual Do Utilizador

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YPP-200

B-1

A-1

C1 D1 E1 F1 G1 A1 B1 C2 D2 E2 F2 G2 A2 B2 C3 D3 E3 F3 G3 A3 B3 C4 D4 E4 F4 G4 A4 B4 C5 D5 E5 F5 G5 A5 B5 C6 D6 E6 F6 G6 A6 B6 C7

8. 8. 8.

The Control Panel

1 [STANDBY/ON] Switch

Press the [STANDBY/ON] switch once to turn

the power ON, a second time to turn the power OFF.
When the power is initially turned ON, a voice
selector LED will light.

2 [MASTER VOLUME] Control

The [MASTER VOLUME] control adjusts the

volume (level) of sound produced by the YPP-200’s
internal stereo sound system. The [MASTER
VOLUME] control also adjusts headphone volume
when a pair of headphones is plugged into the
PHONES jack (page 11).

3 [DEMO] Button

Activates the demo playback mode in which you

can select playback of different demonstration
sequences for each of the YPP-200’s voices. See
page 13 for details.

4 [TRANSPOSE] Button

The [TRANSPOSE] button allows access to the

YPP-200’s TRANSPOSE function (to shift the pitch
of the entire keyboard up or down in semitone
intervals).

5 [FUNCTION] Button

This button accesses a range of utility functions

— including the MIDI functions — that significantly
enhance versatility and playability. See page 26 for
details.

6 METRONOME [START/STOP] Button

Turns the metronome sound on and off. The

[TEMPO/FUNCTION

▼, ▲] buttons are used to

set the tempo of the metronome sound. The [–/NO]
and [+/YES] buttons are used to change the time
signature (beat) of the metronome if used while the
METRONOME [START/STOP] button is held —
page 22.

7 [TEMPO/FUNCTION

▼, ▲] Buttons

These buttons adjust the tempo of the metronome

function as well as the playback tempo of the re-
corder function. The tempo range is from 32 to 280
beats per minute — page 22. These same buttons are
also used to select functions — page 26.

8 [–/NO], [+/YES] Buttons

These buttons select a preset song number for

playback, and are also used to adjust a range of other
parameters.

The PHONES jacks are located on the front panel, below the left end of the keyboard. (see page 11)