Yamaha MW12 Manual Do Utilizador

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Quick Guide
MW12 Owner’s Manual
13
English
4
To hear playback of the track you have 
just recorded, use either the Transport 
panel [Rewind] button or the ruler to 
rewind to the beginning of the recorded 
section, then click the Transport panel 
[Play] button. 
The playback level will be displayed via the master 
section level meter on the right side of the Mixer 
window. The channel strip level meters will become 
active when you turn the channel strip [Record Enable] 
button off.
n
When a pair of headphones are plugged into the 
MW12 PHONES jack, you can adjust the headphone 
listening level via the MW12 C-R/PHONES control 
and the 2TR IN/USB control. 
5
To save the project file select [Save] from 
the [File] menu and enter a file name 
before actually saving the file.
Save your project frequently to insure against losing 
large amounts of data if a problem occurs.
6
Repeat steps 1 through 5 to record further 
material on the same track.
7
To record additional material on a 
different track, select a new track and 
repeat the same record procedure.
In this section we’ll try mixing down multiple recorded audio 
tracks to stereo, and creating a wave file. Mixes can be 
stored as WAV or AIFF files, which can then be recorded to 
audio CDs.
1
Launch Cubase LE and open a project file.
2
Select [Mixer] from the [Devices] menu to 
open the mixer window.
3
Turn the [Record Enable] buttons for all 
recorded tracks off in order to display the 
corresponding levels via the channel-strip 
levels meters.
4
Click the Transport panel [Play] button.
5
Drag the channel strip faders up and 
down while listening to playback to adjust 
the mix as required. 
The master gain fader on the right side of the window 
can also be used to adjust the overall level.
6
Drag the Pan controls on the left side of 
the channel strips left and right to set the 
stereo position of each track.
Step
6
Mixing with Cubase LE
Start with the Featured Part
You can start working on a mix from almost any part, but it 
makes the most sense to start with the main instrument or 
vocal. Set up an initial level for the main part, and then build 
the rest of the mix around it.
For example, if you’re mixing a piano trio with a vocalist, begin 
by setting the level of the vocal track at around the nominal 
level, and then gradually add the other instruments. Your 
choices will also be influenced by the type of music you are 
working on. If the song is a ballad you might want to add the 
piano to the mix after the vocal, and then add the bass and 
drums. If it’s a more rhythmically oriented piece you could add 
the bass and drums first, and then the piano. Whatever best 
serves the music is right.