Yamaha TYROS Manual Do Utilizador

Voice Creating (Sound Creator)

86

TYROS Owner’s Manual

84

Sound Creator Parameters (Normal Voices)

The Sound Creator parameters are organized into five different pages, and can be set as described in step #3 of the 
“Basic Procedure” above.  These can also be programmed as part of the Voice Set parameters (page 151), to be 
automatically called up when the voice is selected. 
Keep in mind that these parameters do not apply to the Organ Flutes voices, which have their own set of parameters 
(page  83).

■ COMMON

■ CONTROLLER

● MODULATION

The Modulation Wheel can be used to modulate the parameters below as well as the pitch (vibrato). 
Here, you can set the degree to which the Modulation wheel modulates each of the following param-
eters. 

● AFTERTOUCH

Aftertouch can be used to modulate the parameters below. Here, you can set the degree to which 
Aftertouch modulates each of the following parameters.

Determines the volume of the current edited voice.

Determines the touch sensitivity, or how greatly the volume responds to your play-
ing strength. A setting of “0” produces more extreme drops in level, the more softly 
you play, while a setting of “64” is normal response, and “127” produces high vol-
ume for any playing strength (fixed). 

Shifts the octave range of the edited voice up or down in octaves. When the edited 
voice is used as any of the RIGHT1 - 3 parts, the R1/R2/R3 parameter is available; 
when the edited voice is used as the LEFT part, the LEFT parameter is available.

Determines whether the edited voice is played monophonically or polyphonically 
(page 81).

Sets the portamento time when the edited voice is set to “MONO” above. 

Determines the degree to which the Modulation Wheel modulates the Filter Cutoff 
Frequency. See next page for details about Filter.

Determines the degree to which the Modulation Wheel modulates the amplitude 
(volume).

Determines the degree to which the Modulation Wheel modulates the pitch, or the 
vibrato effect.

Determines the degree to which the Modulation Wheel modulates the Filter modu-
lation, or the wah effect.

Determines the degree to which the Modulation Wheel modulates the amplitude, or 
the tremolo effect. 

Determines the degree to which Aftertouch modulates the Filter Cutoff Frequency. 
See next page for details about Filter.

Determines the degree to which Aftertouch modulates the amplitude (volume).

Determines the degree to which Aftertouch modulates the pitch, or the vibrato ef-
fect.

Determines the degree to which Aftertouch modulates the Filter modulation, or the 
wah effect.

Determines the degree to which Aftertouch modulates the amplitude, or the tremolo 
effect.