Yamaha M3000-24 Manual Do Utilizador
Control panel
14
Mix section
These output channels control the signals of MIX
buses 1–16. MIX buses 13/14 and 15/16 are controlled
as stereo pairs respectively. The signal that passes
through these output channels is output individually
from the MIX OUT 1–16 jacks (page 27), and can also
be sent to the MAS AFL bus, MAS PFL bus, ST bus,
and the matrix.
buses 1–16. MIX buses 13/14 and 15/16 are controlled
as stereo pairs respectively. The signal that passes
through these output channels is output individually
from the MIX OUT 1–16 jacks (page 27), and can also
be sent to the MAS AFL bus, MAS PFL bus, ST bus,
and the matrix.
A
TO MATRIX switches
When these switches are on (
), the signal of the
corresponding MIX OUT will be sent to the matrix.
B
PAN controls/BAL controls
These controls specify the pan (MIX OUT 1–12) or
left/right balance (MIX OUT 13–16) when the MIX
OUT signal is sent to the ST bus.
left/right balance (MIX OUT 13–16) when the MIX
OUT signal is sent to the ST bus.
C
TO STEREO switches
When these switches are on (
), the signal of the
corresponding MIX OUT will be sent to the ST bus.
D
ON/EDIT switches
The function of these switches and indicators will
depend on the mode of the M3000.
depend on the mode of the M3000.
●
In normal mode
The ON/EDIT switches will turn each MIX OUT on/
off. When on, the ON indicator will light. MIX OUTs
which are turned off will send no signal to the MIX
OUT 1–16 jacks, the MAS AFL bus, the ST bus or the
matrix. However even in this case, you can turn on the
AFL switch (6) to monitor the pre-fader signal from
the MONITOR OUT jacks or the PHONE jack.
off. When on, the ON indicator will light. MIX OUTs
which are turned off will send no signal to the MIX
OUT 1–16 jacks, the MAS AFL bus, the ST bus or the
matrix. However even in this case, you can turn on the
AFL switch (6) to monitor the pre-fader signal from
the MONITOR OUT jacks or the PHONE jack.
●
In check mode
You can use the CHECK indicators to view the on/off
status of each MIX OUT stored in a scene before you
actually recall the scene.
In check mode, you can also use the ON/EDIT
switches to change only the lit/dark status of the
CHECK indicators. (The actual on/off setting will not
be affected.)
For details on check mode, refer to page 33.
status of each MIX OUT stored in a scene before you
actually recall the scene.
In check mode, you can also use the ON/EDIT
switches to change only the lit/dark status of the
CHECK indicators. (The actual on/off setting will not
be affected.)
For details on check mode, refer to page 33.
E
Mix master faders
These faders adjust the output level of MIX OUT 1–
16. These faders affect the signal which is sent to the
MIX OUT 1–16 jacks, the MAS AFL bus, the ST bus,
and the matrix.
16. These faders affect the signal which is sent to the
MIX OUT 1–16 jacks, the MAS AFL bus, the ST bus,
and the matrix.
F
AFL (after fader listen) switches
These switches allow the signals from MIX OUT to be
monitored from the MONITOR OUT jacks or
PHONES jack. When these switches are on (
monitored from the MONITOR OUT jacks or
PHONES jack. When these switches are on (
), the
pre-fader signal of the corresponding MIX bus will be
sent to the MAS PFL bus, and the post-fader signal
will be sent to the MAS AFL bus, allowing you to
monitor from the MONITOR OUT jacks or the
PHONES jacks. The signal of the MAS AFL bus can be
monitored when the MASTER PFL switch (page 19)
of the monitor section is off, and the signal of the
MAS PFL bus can be monitored when this switch is
on. However while even one of the PFL switches of the
input channels is on, the signal of the PFL bus will
take precedence, meaning that it will not be possible
to monitor MIX OUT.
sent to the MAS PFL bus, and the post-fader signal
will be sent to the MAS AFL bus, allowing you to
monitor from the MONITOR OUT jacks or the
PHONES jacks. The signal of the MAS AFL bus can be
monitored when the MASTER PFL switch (page 19)
of the monitor section is off, and the signal of the
MAS PFL bus can be monitored when this switch is
on. However while even one of the PFL switches of the
input channels is on, the signal of the PFL bus will
take precedence, meaning that it will not be possible
to monitor MIX OUT.
MIX 13/14
MIX 11/12
MIX 15/16
MIX 13/14
MIX 11/12
MIX 15/16
BAL
TO STEREO
TO MATRIX
TO MATRIX
TO STEREO
L
R
PAN
L
R
PAN
L
R
AFL
AFL
ON/EDIT
ON/EDIT
CHECK
ON
CHECK
ON
10
5
0
5
10
20
40
BAL
TO STEREO
TO MATRIX
L
R
AFL
ON/EDIT
CHECK
ON
10
5
0
5
10
20
40
10
5
0
5
10
20
40
MIX 9/10
MIX 9/10
TO MATRIX
TO STEREO
PAN
L
R
PAN
L
R
AFL
ON/EDIT
CHECK
ON
10
5
0
5
10
20
40
MIX 7/8
MIX 7/8
TO MATRIX
TO STEREO
PAN
L
R
PAN
L
R
AFL
ON/EDIT
CHECK
ON
10
5
0
5
10
20
40
MIX 5/6
MIX 5/6
TO MATRIX
TO STEREO
PAN
L
R
PAN
L
R
AFL
ON/EDIT
CHECK
ON
10
5
0
5
10
20
40
MIX 3/4
MIX 3/4
TO MATRIX
TO STEREO
PAN
L
R
PAN
L
R
AFL
ON/EDIT
CHECK
ON
10
5
0
5
10
20
40
MIX 1/2
MIX 1/2
TO MATRIX
TO STEREO
PAN
L
R
PAN
L
R
AFL
ON/EDIT
CHECK
ON
10
5
0
5
10
20
40
A
D
E
F
C
B