Yamaha CVP-69A Manual Do Utilizador
36
Single-finger minor, seventh, and minor-seventh chords can be played
as follows:
as follows:
• For a minor chord, press the root key and a black
key to its left.
• For a seventh chord, press the root key and a
white key to its left.
• For a minor-seventh chord, press the root key and
both a white and black key to its left.
○ ○ ○ ○ ○ ○ ○ ○ ○ ○ ○ ○ ○ ○ ○ ○ ○ ○ ○ ○ ○ ○ ○ ○ ○ ○ ○ ○ ○ ○ ○ ○ ○ ○ ○ ○ ○ ○ ○ ○
Auto Bass Chord (ABC)
●
Fingered Accompaniment
As soon as you play any chord on the lower keyboard (up to the split
point — normally the F
point — normally the F
#
2 key), the Clavinova will automatically be-
gin to play the chord along with the rhythm and an appropriate bass
line. The name of the detected chord will appear on the display. “*”
will appear if the chord is not recognizable by the CVP-79A/69/69A/
59S.
line. The name of the detected chord will appear on the display. “*”
will appear if the chord is not recognizable by the CVP-79A/69/69A/
59S.
The Clavinova will accept the following chord types in the Fingered
Accompaniment mode:
Accompaniment mode:
• The automatic accompaniment will
sometimes not change when related
chords are played in sequence (e.g.
some minor chords followed by the
minor seventh).
chords are played in sequence (e.g.
some minor chords followed by the
minor seventh).
Cm
C
7
Cm
7
• Major
• Sixth [6]
• Major seventh [M7]
• Major seventh flatted fifth [M7(
b
5)]
• Major seventh sharp eleventh [M7(
#
11)]
• Added ninth [add9]
• Major seventh ninth [M7(9)]
• Six ninth [6(9)]
• Flatted fifth [(
b
5)]
• Augmented [aug]
• Seventh augmented [7(
#
5)]
• Major seventh augmented [M7(
#
5)]
• Minor [m]
• Minor sixth [m6]
• Minor seventh [m7]
• Minor seventh flatted fifth [m7(
b
5)]
• Minor added ninth [madd9]
• Minor seventh ninth [m7(9)]
• Minor seventh eleventh [m7(11)]
• Minor major seventh flatted fifth [mM7(
b
5)]
• Minor major seventh [mM7]
• Minor major seventh ninth [mM7(9)]
• Minor flatted fifth [m(
b
5)]
• Diminished seventh [dim7]
• Seventh [7]
• Seventh suspended fourth [7sus4]
• Seventh ninth [7(9)]
• Seventh sharp eleventh [7(
#
11)]
• Seventh added thirteenth [7(13)]
• Seventh flatted fifth [7(
b
5)]
• Seventh flatted ninth [7(
b
9)]
• Seventh added flatted thirteenth [7(
b
13)]
• Seventh sharp ninth [7(
#
9)]
• Suspended fourth [sus4]
* A Fingering Chart is provided on page 123.
“On-bass” chords are also recognized. Two-note fingerings will pro-
duce a chord based on the previous chord.
“No chord” (i.e. rhythm only accompaniment) can be produced by
pressing any three consecutive keys (ex. C,C
duce a chord based on the previous chord.
“No chord” (i.e. rhythm only accompaniment) can be produced by
pressing any three consecutive keys (ex. C,C
#
,D) simultaneously.
“- - -” will appear instead of a chord name.