Yamaha EMX 2000 Manual Do Utilizador
16
EMX2000—Owner’s Manual
■ Sending an independent mix to
the monitor speakers
1
Set the MONI 1 or MONI 2 fader to the
“10” position.
“10” position.
2
Raise the MONI 1 or MONI 2 controls for
the channels that you wish to hear from
the monitor speakers.
the channels that you wish to hear from
the monitor speakers.
3
Use the MONI 1 or MONI 2 fader of the
master section to adjust the overall vol-
ume.
master section to adjust the overall vol-
ume.
■ Using an external effect processor
You may sometimes want to use an external effect
processor, such as an echo machine or a multi-
effect unit. In this case, refer to the diagram on
page 13 for connection information and follow
the steps below.
processor, such as an echo machine or a multi-
effect unit. In this case, refer to the diagram on
page 13 for connection information and follow
the steps below.
1
Set the EFFECT fader of the master sec-
tion to the “10” position.
tion to the “10” position.
2
Raise the EFFECT controls for the channels
to which you want the external effect to
be applied.
to which you want the external effect to
be applied.
3
Use the EFFECT fader in the master sec-
tion to adjust the level of the signal out-
put to the external effects processor so
that the sound will not be distorted at the
input of the external effects processor.
tion to adjust the level of the signal out-
put to the external effects processor so
that the sound will not be distorted at the
input of the external effects processor.
4
Use the control of the ST SUB channel to
which the processed signal is input from
the external effects processor to adjust
the level of the effect sound.
which the processed signal is input from
the external effects processor to adjust
the level of the effect sound.
Using a subwoofer
Here is an example of using a subwoofer in the speaker system.
Note: The MONI controls are not affected by
the level settings of each channel. This allows
you to create a mix that is independent of the
main speakers.
the level settings of each channel. This allows
you to create a mix that is independent of the
main speakers.
10
0
PEAK
+8
+5
+3
+1
0
–1
–3
–5
–7
–10
–15
–20
GRAPHIC EQUALIZER
DIGITAL EFFECT
6
0
6
MAX
MIN
PROGRAM
PHANTOM
(+48V)
PHONES/C.R.OUT
10
0
ST 2
10
0
ST
MONO BRIDGE
POWER AMP
TAPE IN
LIMITER
L
R
MONO
+4dB
+4dB
FOOT SW
MONI
MONI
(MONO)
P.AMP
IN
2
EFFECT
+4dB
+4dB
PHONES/
C-R OUT
(+4dB)
C-R OUT
(+4dB)
LEVEL
L/BRIDGE
ST L
MONI 1
ST R
MONO
MONO
10
0
ST
10
0
ON
PFL
PFL
11/12
PFL
PFL
AFL
AFL
MONI 2
10
10
9
7 8
11
12
13
12
13
14
15
16
2
3
4
5
6
1
0
MONI 1
10
0
MONI 1
–34
+10
GAIN
10
0
MONI 2
10
0
ST
10
0
MONI 1
10
0
MONI 2
10
0
ST
10
0
MONI 1
10
0
MONI 2
EFFECT
BAL
10
0
R
L
ON
OFF
ON
AFL
AFL
AFL
VOCAL ECHO 1
VOCAL ECHO 2
VOCAL ECHO 3
VOCAL ECHO 4
VOCAL REVERB 1
VOCAL REVERB 2
VOCAL REVERB 3
VOCAL REVERB 4
HALL 1
HALL 2
HALL 3
ROOM
PLATE 1
PLATE 2
PLATE 3
GATE REVERB
+15
–15
HIGH
PEAK
PEAK
PEAK
+15
–15
MID
+15
–15
LOW
–34
+10
GAIN
–60
–16
9/10
PFL
–34
+10
GAIN
10
0
MONI 1
10
0
MONI 2
EFFECT
BAL
10
0
R
L
+15
–15
HIGH
+15
–15
MID
+15
–15
LOW
8
PFL
10
0
MONI 1
10
0
MONI 2
EFFECT
PAN
10
0
R
L
+15
–15
HIGH
+15
–15
MID
+15
–15
LOW
–34
+10
GAIN
–60
–16
7
PFL
10
0
MONI 1
10
0
MONI 2
EFFECT
PAN
10
0
R
L
+15
–15
HIGH
+15
–15
MID
+15
–15
LOW
–34
+10
GAIN
–60
–16
6
PFL
10
0
MONI 1
10
0
MONI 2
EFFECT
PAN
10
0
R
L
+15
–15
HIGH
+15
–15
MID
+15
–15
LOW
–34
+10
GAIN
–60
–16
5
PFL
10
0
MONI 1
10
0
MONI 2
EFFECT
PAN
10
0
R
L
+15
–15
HIGH
+15
–15
MID
+15
–15
LOW
–34
+10
GAIN
–60
–16
4
PFL
10
0
MONI 1
10
0
MONI 2
EFFECT
PAN
10
0
R
L
+15
–15
HIGH
+15
–15
MID
+15
–15
LOW
–34
+10
GAIN
–60
–16
3
PFL
10
0
MONI 1
10
0
MONI 2
EFFECT
PAN
10
0
R
L
+15
–15
HIGH
+15
–15
MID
+15
–15
LOW
–34
+10
GAIN
–60
–16
2
PFL
10
0
MONI 1
10
0
MONI 2
EFFECT
PAN
10
0
R
L
+15
–15
HIGH
+15
–15
MID
+15
–15
LOW
–34
+10
GAIN
–60
–16
1
8
7
6
5
4
3
2
1
PFL
10
0
MONI 1
10
0
MONI 2
EFFECT
PAN
10
0
R
L
+15
–15
HIGH
+15
–15
MID
+15
–15
LOW
A
A
R
ST 1
L
R
R
R
ST 2
1
L
L
R
L
TAPE
R
L
L
ST
SUB 2
SUB 2
(MONO)
L
R
ST
SUB 1
SUB 1
(MONO)
11 L
12 R
11/12
A
A
B
B
B
B
INSERT I/O
OUT IN
0dB
(MONO)
9 L
9 L
10 R
11 L
12 R
10 R
LINE
LINE
LINE
LINE
LINE
INS
I/O
I/O
INS
I/O
I/O
INS
I/O
I/O
INS
I/O
I/O
LINE
LINE
LINE
MIC
MIC
MIC
MIC
MIC
MIC
MIC
MIC
INPUT
OUTPUT
9/10
EEEngine
0
5
10
15
20
25
30
40
50
40
50
∞
0
5
10
15
20
25
30
40
50
40
50
∞
0
5
10
15
20
25
30
40
50
40
50
∞
0
5
10
15
20
25
30
40
50
40
50
∞
0
5
10
15
20
25
30
40
50
40
50
∞
0
5
10
15
20
25
30
40
50
40
50
∞
0
5
10
15
20
25
30
40
50
40
50
∞
0
5
10
15
20
25
30
40
50
40
50
∞
0
5
10
15
20
25
30
40
50
40
50
∞
0
5
10
15
20
25
30
40
50
40
50
∞
0
5
10
15
20
25
30
40
50
40
50
∞
0
5
10
15
20
25
30
40
50
40
50
∞
0
5
10
15
20
25
30
40
50
40
50
∞
0
5
10
15
20
25
30
40
50
40
50
∞
0
5
10
15
20
25
30
40
50
40
50
∞
A
B
B
A
B
B
8k
4k
2k
1k
500
250
125
POWER
ST1
L
R
ST SUB 1
1
2
3
4
5
6
7
8
9
10
11
12
13
14
15
16
ST SUB 2
MONI 1
MONO
ST 1
EFFECT
MONI 2
PEAK
PEAK
PEAK
PEAK
PEAK
PEAK
PEAK
+12
–12
6
0
6
+12
–12
+4dB
+4dB
+4dB
BRIDGE
+4dB
+4dB
+4dB
Power AMP
LOW
LEFT
RIGHT
HIGH
LEFT
RIGHT
INPUTS
LEFT
RIGHT
Yamaha
Crossover network PN90
Crossover network PN90
Main speakers
Subwoofer
SPEAKERS jacks
R 1/2
L 1/2
MONO BRIDGE
ST L
MONI 1
ST R
MONO
MONO
TO POWER
AMP INPUTS
+4
+18
+4
+18