Roland V-Synth Manual Do Utilizador
123
Effects List
Appendices
12: Multi Tap Delay
The effect has five delays. Each of the Delay Time parameters can be
specified as a note length of the selected tempo. You can also set the
panning and level of each delay sound.
specified as a note length of the selected tempo. You can also set the
panning and level of each delay sound.
fig.MFX-12
13: Reverse Delay
Adds the reverse of the input sound as the delay sound.
fig.MFX-13
Parameter
Value
Description
Delay 1–5
0–1300 ms, note Specifies the delay time from the
original sound until each delay
sound (Delay 1/2/3/4/5) is
heard.
sound (Delay 1/2/3/4/5) is
heard.
Fbk Dly Time
0–1300 ms, note Adjusts the delay time for the
feedback sound
Feedback #1
-98– +98 %
Adjusts the proportion of the de-
lay sound that is fed back into
the effect. Negative (-) settings
will invert the phase.
lay sound that is fed back into
the effect. Negative (-) settings
will invert the phase.
Delay 1–5 Level 0–127
Adjusts the volume of each de-
lay sound (Delay 1/2/3/4/5)
lay sound (Delay 1/2/3/4/5)
Delay 1–5 Pan
L63–63R
Adjusts the pan of each delay
sound (Delay 1/2/3/4/5)
sound (Delay 1/2/3/4/5)
Low Damp Freq 50–4000 Hz
Adjusts the frequency below
which sound fed back to the ef-
fect will be cut.
The Low Damp function damps
the low frequency band of the
delay sound quicker than other
bands, which makes for a clearer
delay effect.
which sound fed back to the ef-
fect will be cut.
The Low Damp function damps
the low frequency band of the
delay sound quicker than other
bands, which makes for a clearer
delay effect.
Low Damp
Gain
Gain
-36–0 dB
Degree of Low Damp
Hi Damp Freq
2000–20000 Hz
Adjusts the frequency above
which sound fed back to the ef-
fect will be cut.
High Damp, by attenuating the
higher frequencies first, makes
the delay sound more natural.
which sound fed back to the ef-
fect will be cut.
High Damp, by attenuating the
higher frequencies first, makes
the delay sound more natural.
Hi Damp Gain
-36–0 dB
Degree of High Damp
Ps Low Freq
50–4000 Hz
Frequency of the low range
Ps Low Gain
-15– +15 dB
Gain of the low range
Ps Hi Freq
2000–20000 Hz
Frequency of the high range
Ps Hi Gain
-15– +15 dB
Gain of the high range
Multi Tap Delay
Delay 1
Delay 2
Delay 3
Delay 4
Delay 5
L
R
2-Band
EQ
Parameter
Value
Description
Threshold
0–127
pecify the input level at which
the delay will begin to apply.
the delay will begin to apply.
Rvs Dly Time
0–650 ms, note
Specifies the delay time from the
original sound until the delay
sound is heard.
original sound until the delay
sound is heard.
Rvs Feedback
-98– +98 %
Adjusts the proportion of the re-
verse delay sound that is fed
back into the effect. Negative (-)
settings will invert the phase.
verse delay sound that is fed
back into the effect. Negative (-)
settings will invert the phase.
Low Damp Freq 50–4000 Hz
Adjusts the frequency below
which sound fed back to the ef-
fect will be cut.
The Low Damp function damps
the low frequency band of the
delay sound quicker than other
bands, which makes for a clearer
delay effect.
which sound fed back to the ef-
fect will be cut.
The Low Damp function damps
the low frequency band of the
delay sound quicker than other
bands, which makes for a clearer
delay effect.
Low Damp
Gain
Gain
-36–0 dB
Degree of Low Damp
Hi Damp Freq
2000–20000 Hz
Adjusts the frequency above
which sound fed back to the ef-
fect will be cut.
High Damp, by attenuating the
higher frequencies first, makes
the delay sound more natural.
which sound fed back to the ef-
fect will be cut.
High Damp, by attenuating the
higher frequencies first, makes
the delay sound more natural.
Hi Damp Gain
-36–0 dB
Degree of High Damp
Balance
DRY100:0WET–
DRY0:100WET
DRY0:100WET
Volume balance between the di-
rect sound (DRY) and the effect
sound (WET)
rect sound (DRY) and the effect
sound (WET)
Ps Low Freq
50–4000 Hz
Frequency of the low range
Ps Low Gain
-15– +15 dB
Gain of the low range
Ps Hi Freq
2000–20000 Hz
Frequency of the high range
Ps Hi Gain
-15– +15 dB
Gain of the high range
L
R
Reverse
Delay
2-Band
EQ