Roland V-Synth Manual Do Utilizador

By changing the bit count and sample rate, this effect recreates the 
Lo-Fi (Low-Fidelity) sounds of the early digital samplers and similar 
machines. After the Lo-Fi processor, a filter to change the tone is 
arranged in series.

fig.MFX-40

Spreads the components of the monaural input sound to left and 
right, creating an artificial sense of stereo output.

fig.MFX-41

Pre Filter Sw

OFF, ON

This is the switch of the filter 
placed before the Lo-Fi process-
ing

Sample Rate

1/1, 1/2, 1/4, 
1/8, 1/16, 1/32

Sets the fraction of current sam-
pling rates to be used for pro-
cessing.

Bit Down

0–15

This setting is for reducing the 
bit count.

Post Filter Sw

OFF, ON

This is the switch of the filter 
placed after the Lo-Fi process-
ing.

Balance

DRY100:0WET–
DRY0:100WET

Volume balance between the di-
rect sound (DRY) and the effect 
sound (WET)

Filter Type

THRU, LPF, 
BPF, HPF, 
NOTCH

Type of filter
THRU: no filter is used
LPF: Passes frequencies below 
the Cutoff.
BPF: Passes frequencies near the 
Cutoff.
HPF: Passes frequencies above 
the Cutoff.
NOTCH: Passes frequencies 
other than those near the Cutoff.

Filter Slope

-12, -24 dB/O

Filter’s attenuation slope
-24 dB per octave: steep
-12 dB per octave: gentle

Filter Cutoff

0–127

Cutoff frequency of the filter
The closer to zero it is set, the 
lower the cutoff frequency be-
comes; set it closer to 127, and 
the cutoff frequency becomes 
higher.

Filter Reso-
nance

0–127

Resonance level of the filter
Raising the setting increases res-
onance near the cutoff frequen-
cy, giving the sound a special 
characteristic.

Lo-Fi

Processor

Filter

L

R

Freq.

Level

LPF

Freq.

Level

HPF

BPF

NOTCH

Freq.

Level

Freq.

Level

Filter Gain

0– +24 dB

Compensates for the volume 
dropped in the cut frequency 
range with some filters.
The level of compensation in-
creases as the value is increased, 
and raise the volume.

Depth #1

0–15

Spaciousness of the sound field

Pseudo 

Stereo

L

R