Roland AT-350C Manual Do Utilizador

54

Playing a SuperNATURAL Voice

When you play a SuperNATURAL voice, its tone quality will change appropriately when you play legato or staccato passages.
In addition, using the foot switches or D Beam while you perform can apply a variety of effects to the sound, making your performance expression 

even richer and more realistic.
If you want to use the foot switches while performing, assign the foot switch functions (L Foot Switch, R Foot Switch) to “N.CONTROL 1” and 

“N.CONTROL 2” (p. 93).

If you want to use the foot switches, connect a pedalboard (PK series; sold separately) (p. 24).

Characteristics of the SuperNATURAL voices

A sound with beautifully applied portamento and 

vibrato.

Portamento

Pizzicato

This is characterized by the portamento and ornaments 

distinctive to the Er Hu.

Portamento

Ornament

A hold effect that sustains the sound and sound effects 

in the lower range make this unique.

Hold

Harmonics

When you play chords, the sound of guitar strumming 

is produced.

The “falls” typical of a trumpet are particularly effective.

Glissando

Fall

The glissando that smoothly connects pitches is typical 

of this instrument.

Glissando

Fall

This is notable for its beautifully supple tone and its 

growl playing technique.

Glissando

Growl

This sound has an appealing glissando that smoothly 

connects the notes.

Glissando

Growl

The ability to sustain long notes and the beautiful 

vibrato make this voice special.

Glissando

Growl

The glissando has a sense of pitch that is distinctive of 

the clarinet.

Glissando

Growl

You can use ornaments in a way that is unique to the 

shakuhachi.

Glissando

Ornament

The growl technique that characterizes the harmonica 

is particularly expressive.

Glissando

Growl

This sound provides the distinctive tremolo of the 

marimba.

Glissando

Tremolo

These performance techniques continuously vary the pitch between two notes. The way in which notes are 

connected will depend on the construction of the instrument.

In this performance technique, the strings of the violin are plucked with the fingers rather than bowed with the 

bow, producing sharply defined notes.

This performance technique produces a rapid change in pitch at the beginning of the note, in a way that is 

distinctive of that particular instrument.

This is a technique in which a string of the guitar is fingered lightly to sound an overtone. A pitch one octave 

higher than the keyboard note will be heard.

This is the technique of rapidly lowering the pitch of a wind instrument while simultaneously producing a 

decrescendo.

This technique produces a powerful sound by simultaneously breathing and growling into a wind instrument.

This is the technique of rapidly repeating a single note, or rapidly alternating between multiple notes.