Yamaha MOTIF XS7 Manual Do Utilizador

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Editing a Normal Voice
MOTIF XS Owner’s Manual
117
V
oice mode
Song mode
P
attern mode
Mixing mode
Master mode
Utility mode
File mode
P
erf
ormance
 mode
Sampling
 mode 1
Sampling
 mode 2
Ref
erence
& Center Key
Determines the central note or pitch for the EG Time Key 
Follow (
^). When the Center Key note is played, the PEG 
behaves according to its actual settings. 
Settings: C -2 – G8
EG Time Key Follow and Center Key
n You can also set the note directly from the Keyboard, by 
holding down the [SF6] button and pressing the desired key. 
See “Basic Operation” on page 82.
Adjust the brightness using the 
Filter—[F3] Filter
From this display you can select a Filter Type for the 
current Element. The tonal characteristics of the Voice and 
Filter functions differ depending on which Filter type is 
selected here. 
1 Type*
Determines the Filter Type for the current Element. 
Settings: LPF24D, LPF24A, LPF18, LPF18s, LPF12, LPF6, HPF24D, 
HPF12, BPF12D, BPFw, BPF6, BEF12, BEF6, Dual LPF, Dual 
HPF, Dual BPF, Dual BEF, LPF12+BPF6, thru
About Filter Types
LPF (Low Pass Filter)
This is a Filter type that only passes signals below the Cutoff 
Frequency. The sound can be brightened by raising the cutoff 
frequency of the filter. On the other hand, the sound can be 
darkened by lowering the cutoff frequency of the filter. You can 
produce a distinctive “peaky” sound by raising the Resonance 
to boost the signal level in the area of the Cutoff Frequency. 
This filter type is most popular and useful for producing classic 
synthesizer sounds. 
LPF24D
A dynamic 24 dB/oct low-pass filter with a characteristic digital sound. 
Compared to the LPF24A type (below), this filter can produce a more 
pronounced resonance effect. 
LPF24A
A digital dynamic low-pass filter with characteristics similar to a 4-pole 
analog synthesizer filter. 
LPF18
3-pole 18 dB/oct low-pass filter. 
LPF18s
3-pole 18 dB/oct low-pass filter. This filter has a smoother cutoff slope 
than the LPF18 type. 
HPF (High Pass Filter)
This is a Filter type that only passes signals above the Cutoff 
Frequency. You can then use the Resonance to add further 
character to the sound. 
HPF24D
A dynamic 24 dB/oct high-pass filter with a characteristic digital sound. 
This filter can produce a pronounced resonance effect. 
HPF12
12 dB/oct dynamic high-pass filter. 
BPF (Band Pass Filter)
This Filter type is a combination of a LPF and HPF. When this 
Filter Type is selected, you can set the Cutoff Frequency 
around which the audio signal is passed. 
BPF12D
The combination of a -12 dB/oct HPF and LPF with a characteristic 
digital sound. 
Selecting a Filter Type—[SF1] Type
+63
+30
-40
Positive value
Negative value
Faster 
speed
Higher range
Lower range
Slower speed
Center key
4
5
6
1
2
3
!
@
)
7
8
9
Level
These frequencies are 
“passed” by the filter.
Resonance (
4)
Cutoff Frequency (
2)
Frequency
Cutoff range
Level
These frequencies are 
“passed” by the filter.
Resonance (
4)
Cutoff Frequency (
2)
Frequency
Cutoff range
Level
Resonance (
4)
Frequency
Cutoff range
Cutoff range
Range passed