Yamaha 9000 pro Manual Do Utilizador
Auto Accompaniment
Auto Accompaniment
Reference
71
Chord Types Recognized in the Fingered Mode
Chord Name [Abbreviation]
Normal Voicing
Display for root “C”
Major [M]
1 - 3 - 5
C
Add ninth [(9)]
1 - 2 - 3 - 5
C(9)
Sixth [6]
1 - (3) - 5 - 6
C6
Sixth ninth [6(9)]
1 - 2 - 3 - (5) - 6
C6(9)
Major seventh [M7]
1 - 3 - (5) - 7
CM7
Major seventh ninth [M7(9)]
1 - 2 - 3 - (5) - 7
CM7(9)
Major seventh add sharp eleventh [M7(
#
11)]
1 - (2) - 3 -
#
4 - 5 - 7 or
1 - 2 - 3 -
#
4 - (5) - 7
CM7
#
11
Flatted fifth [(
b
5)]
1 - 3 -
b
5
C(
b
5)
Major seventh flatted fifth [M7
b
5]
1 - 3 -
b
5 - 7
CM7
b
5
Suspended fourth [sus4]
1 - 4 - 5
Csus4
Augmented [aug]
1 - 3 -
#
5
Caug
Major seventh augmented [M7aug]
1 - (3) -
#
5 - 7
CM7aug
Minor [m]
1 -
b
3 - 5
Cm
Minor add ninth [m(9)]
1 - 2 -
b
3 - 5
Cm(9)
Minor sixth [m6]
1 -
b
3 - 5 - 6
Cm6
Minor seventh [m7]
1 -
b
3 - (5) -
b
7
Cm7
Minor seventh ninth [m7(9)]
1 - 2 -
b
3 - (5) -
b
7
Cm7(9)
Minor seventh eleventh [m7(11)]
1 - (2) -
b
3 - 4 - 5 - (
b
7)
Cm7_11
Minor major seventh [mM7]
1 -
b
3 - (5) - 7
CmM7
Minor major seventh ninth [mM7(9)]
1 - 2 -
b
3 - (5) - 7
CmM7_9
Minor seventh flatted fifth [m7
b
5]
1 -
b
3 -
b
5 -
b
7
Cm7
b
5
Minor major seventh flatted fifth [mM7
b
5]
1 -
b
3 -
b
5 - 7
CmM7
b
5
Diminished [dim]
1 -
b
3 -
b
5
Cdim
Diminished seventh [dim7]
1 -
b
3 -
b
5 - 6
Cdim7
Seventh [7]
1 - 3 - (5) -
b
7 or
1 - (3) - 5 -
b
7
C7
Seventh flatted ninth [7(
b
9)]
1 -
b
2 - 3 - (5) -
b
7
C7(
b
9)
Seventh add flatted thirteenth [7(
b
13)]
1 - 3 - 5 -
b
6 -
b
7
C7
b
13
Seventh ninth [7(9)]
1 - 2 - 3 - (5) -
b
7
C7(9)
Seventh add sharp eleventh [7(
#
11)]
1 - (2) - 3 -
#
4 - 5 -
b
7 or
1 - 2 - 3 -
#
4 - (5) -
b
7
C7
#
11
Seventh add thirteenth [7(13)]
1 - 3 - (5) - 6 -
b
7
C7(13)
Seventh sharp ninth [7(
#
9)]
1 -
#
2 - 3 - (5) -
b
7
C7(
#
9)
Seventh flatted fifth [7
b
5]
1 - 3 -
b
5 -
b
7
C7
b
5
Seventh augmented [7aug]
1 - 3 -
#
5 -
b
7
C7aug
Seventh suspended fourth [7sus4]
1 - 4 - 5 -
b
7
C7sus4
One plus two plus five [1+2+5]
1 - 2 - 5
C1+2+5
C
Cm
7
C
( )
CM
( )
7
C
(9)
C
( )
(9)
6
Caug
Cm
6
Cm
7
( )
Cm
b
5
7
CmM
b
5
7
Cm
( )
(9)
7
Cm
(9)
CmM
7
( )
CmM
(9)
7
( )
Cdim
Cdim
7
C
(9)
7
( )
C
(13)
7
( )
C
(
b
9)
7
( )
C
(
b
13)
7
Csus
4
C
1+2+5
C
b
5
7
C
6
( )
( )
CM
7 (9)
7
CM
(
#
11)
( )
7
CM
b
5
C
(
b
5)
( )
C
(
#
11)
7
C
(
#
9)
7
( )
C aug
7
Cm
7(11)
( )
( )
CM aug
7
( )
C sus
4
7
●
Example for “C” chords
• Notes in parentheses can be
omitted.
• If you play any three adjacent
keys (including black keys), the
chord sound will be canceled
and only the rhythm instru-
ments will continue playing
(Chord Cancel function).
chord sound will be canceled
and only the rhythm instru-
ments will continue playing
(Chord Cancel function).
• Playing a single key or two
same root keys in the adjacent
octaves produces accompani-
ment based only on the root.
octaves produces accompani-
ment based only on the root.
• A perfect fifth (1 + 5) produces
accompaniment based only on
the root and fifth which can be
used with both major and
minor chords.
the root and fifth which can be
used with both major and
minor chords.
• The chord fingerings listed are
all in “root” position, but other
inversions can be used — with
the following exceptions:
inversions can be used — with
the following exceptions:
m7, m7
b
5, 6, m6, sus4, aug,
dim7, 7
b
5, 6(9), m7_11,
1+2+5.
• Inversion of the 7sus4 chord is
not recognized if the 5th is
omitted.
omitted.
• The auto accompaniment will
sometimes not change when
related chords are played in
sequence (e.g. some minor
chords followed by the minor
seventh).
related chords are played in
sequence (e.g. some minor
chords followed by the minor
seventh).
• Two-note fingerings will pro-
duce a chord based on the pre-
viously played chord.
viously played chord.
69