Yamaha 02R96 Manual Do Utilizador

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Chapter 16—Automix
02R96—Owner’s Manual
Recording an Automix
This section provides a general procedure for Automix recording.
1
Connect a timecode source.
2
Select the timecode source and frame rate.
3
Use the DISPLAY ACCESS [AUTOMIX] button to locate the Automix Main 
page.
4
On the Automix Main page, use the ENABLED/DISABLED button to enable 
the Automix function.
5
On the Automix Main page, use the OVERWRITE buttons to select which 
parameters you want to record.
The corresponding OVERWRITE buttons pages appear highlighted.
6
On the Automix Main page, press the REC button.
The REC button flashes.
Alternatively, you could press the AUTO REC button so that Automix recording starts auto-
matically when timecode is received. The main difference between REC and AUTO REC is 
that the AUTO REC functions remains on when recording is stopped, whereas REC must 
be pressed each and every time you want to start recording. Initially however, REC may be 
the safer option.
7
Use the [AUTO] buttons to arm channels for Automix recording.
The [AUTO] button indicators of armed channels light up orange.
8
Start the timecode source.
The REC and PLAY buttons appear highlighted.
9
Adjust the faders and other controls as necessary.
Use the SELECTED CHANNEL section to edit the currently selected channel. Channels are 
selected automatically when the [AUTO] buttons are pressed. You can punch channels out 
of recording by using the [AUTO] buttons.
10
To stop Automix recording, stop the timecode source, or press the STOP but-
ton on the Automix Main or Memory page.
A confirmation message appears asking if you want to update the existing Automix data 
(i.e., keep the edits just recorded).
Rerecording Events
Events can be rerecorded as many times as you like. Remember, however, that unlike the 
first pass, on subsequent passes existing events for the currently punched in parameter are 
overwritten, so use the OVERWRITE buttons and [AUTO] buttons with care. Instead of 
using the [AUTO] buttons to punch in an entire channel, you can reduce the risk of over-
writing important data by punching in and out individual parameters (see page 156). Use 
the Update To End option to determine how existing events are handled when rerecording 
is stopped (see page 146). Use the Edit Out (see page 147) and Fader Edit (see page 148) 
options to determine how Fader events are rerecorded.