Korg 2E ii Manual Do Utilizador

If you use the Utility menu command “Copy From 
Combination” to copy the settings of a combination, 
and then perform multi-track recording with the 
arpeggiator turned on, there may be cases in which the 
performance during recording is not reproduced by 
the playback.

Multiple tracks that are set to the same MIDI channel 
are combined into a single stream of performance data 
during recording. If there is a track with the same MIDI 
channel as the track being played by the arpeggiator, 
the data played by the arpeggiator will be combined 
with the performance data that was played manually, 
and all of this data will be sounded by each track of the 
same channel (if “Status” is INT).
In such cases, you can solve the problem by changing 
the MIDI channel of the track that is played by the 
arpeggiator, and then creating a track that will drive 
the arpeggiator.

If the recorded performance is not reproduced by the 
playback, check the following conditions.

Make sure that the global MIDI channel (GLOBAL 
2.1: MIDI, “MIDI Channel”) is set to 01.

Depending on the combination settings, it may 
also be necessary to change the track settings as 
well.

In the screens shown above, combination B071: “In 
the Pocket”

 has been copied using “Copy From Com-

bination.” As described in steps 1 and 2 of the proce-
dure given earlier, try actually copying this to see for 
yourself. For the arpeggiator settings of this combina-
tion, refer to p.105. Taking this setting as an example, 
determine whether correction is necessary, and if nec-
essary, what needs to be corrected.

“Arpeggiator Run” A and B are checked, and “MIDI 
Channel

” 01 and 02 are selected. Corrections must be 

made. Correction is necessary for one of the arpeggia-
tors. If you perform multi-track recording with these 
settings, the MIDI channels of T01, 02, 03, 04, 05, and 06 
are the same, so the low-register bass (T01 and T02), 
the high-register synth brass/pad (T03, T04 and T06), 
and the synth mallet played by arpeggiator B (T05) will 
have their performance data combined into one 
stream, and the performance will not be reproduced at 
playback. (T08 is a dummy track used to trigger arpeg-
giator A.)

1 So that the synth mallet played by arpeggiator A 

Select the SEQ 3.1: Param1, MIDI T01-08 page, and 
change the T05 “MIDI Channel” to 03.

2 Add settings for triggering arpeggiator A.

Select the SEQ 3.1: Param1, MIDI T09-10 page, and 
for track 9 (or any unused track), turn “Status” Off, 
and set the “MIDI Channel” to 01.
(T09 will be a dummy track used to trigger arpeg-
giator B.)

3 Select the SEQ 6.1: Arp., Setup T09-16 page. Set the 

This will produce the following settings.

This completes the corrections. In the SEQ 1.1: Play/
REC, Preference page, set “Track Select” to any 
track whose MIDI channel is 01. Check the “Multi 
REC

” check box and perform multi-track recording.

*1

If the “MIDI Channel” of multiple tracks operated by the 
arpeggiator is set only to 01, refer to the lines for “01 only.” 
If the “MIDI Channel” settings are 01 and one other chan-
nel, such as 01 and 02, or 01 and 03, then refer to the lines 
for “01 02, 01 03 etc.” If the “MIDI Channel” settings are 01 
and multiple other MIDI channels, such as 01 and 02 and 
03, then refer to the line for “01 02 03, etc.”

If either “A” or “B” 
are checked

01 only

Correction required

01 02, 01 03, etc.

No correction required

If both “A” and “B” 
are checked

01 only

Correction required

01 02, 01 03, etc.

Correction required for 
only one

01 02 03, etc.

No correction required/
Correction required

 *2

*2

Correction is necessary only if the tracks operated by a sin-
gle arpeggiator are using only “MIDI Channel” 01. In 
some cases, correction may also be necessary if the two 
arpeggiators use the same MIDI channel.

Track

T01 T02 T03 T04 T05 T06 T07 T08 T09

Assign

Off

Off

Off

Off

B

Off

A

A

Status

INT

INT

INT

INT

INT

INT

INT

Off

MIDI Ch.

01

01

01

01

01

02

01