Lg Electronics MIC/LINE MIXERS Manual Do Utilizador

10

PHONES

FOOT

SWITCH

EFX 

LAMP

12V 0.5A

MAIN OUT

L

R

11

LEFT

AUX SEND

UTILITY OUT

SUB OUT

TAPE

INPUT

TAPE

OUTPUT

L

L

R

1

2

1

2

L

L

R

R

L

R

EFX SEND

STEREO EFX

RETURN

MAIN INSERT

(MONO)

(MONO)

L

R

S

75Hz

SUB OUT

R

1

2

1

2

3

4

MAIN OUT

9

LEFT

RIGHT

10

RIGHT

12

The stereo signal at these TRS jacks is the

same as at the 

MAIN OUT 

, but with one

important difference:

After the 

MAIN MIX Fader 

, the mix is

sent through the 

UTILITY OUT LEVEL 

 con-

trol, allowing you to set levels as desired
without disturbing the main mix level.

In live sound applications, these TRS jacks

can be patched into one or two stereo amplifi-
ers, thereby allowing you to control levels
independently via the 

SUB Faders 

.

Alternatively, use the 

MAIN OUT 

 to

feed the amplifiers and one stereo 

SUB OUT

 pair to feed a recorder.

In studio applications, these outputs can be

used as four separate paths to feed four tracks
of a multitrack recorder.

See 

ASSIGN 

 and 

SUB ASSIGN 

 for

more information.

To create a stage monitor mix, with levels

set independently from the main mix, patch
these TRS jacks into your monitor amplifier in-
puts. These jacks can also be used to feed the
inputs of an effects device.

See 

AUX 

 and 

PRE FADER 

 for more

information.

The signal at these TRS outputs is post-

fader only, so they cannot be used as
traditional stage monitor cues. They’re in-
tended to patch into effects device inputs;
hence the name “EFX.” See 

EFX 1 (EXT) 

and 

EFX 2 (INT) 

 for more information.

Note: The 

EFX 2 signal path also feeds the

CFX Mixer’s internal 

EMAC EFFECTS PRO-

CESSOR 

 inputs. If you’re using 

EMAC and

just one outboard processor, patch that proces-
sor via 

EFX SEND 1 for independent control of

the effects send level.

We recommend going into a stereo reverb in

mono and returning in stereo. We have found
that on most “stereo” reverbs the second input
just ties up an extra 

EFX send and adds noth-

ing to the sound. There are exceptions, so feel
free to try it both ways. If your effects device is
true stereo all the way through, use 

EFX SEND 1

to feed its left input and 

EFX SEND 2 to feed

the right input.

Patch the outputs of external parallel ef-

fects devices to these inputs.

Note: The 

EFX 2 return signal is combined

with the signal from the CFX Mixer’s internal
EMAC EFFECTS PROCESSOR 

. If you’re

using 

EMAC and just one outboard processor,

patch the outboard processor via 

EFX 1 RETURN

for independent control of the effects return level.

When connecting a mono device (just one

cord), always use the 

LEFT (MONO) input and

plug nothing into the 

RIGHT input. A trick

called “jack normalling” will cause the signal to
appear on both sides.