Yamaha Recording Equipment Manual Do Utilizador
Setting Up
Connections
31
Owner’s Manual
Connections
Connecting to External Audio Equipment
Since the MOTIF ES has no built-in speakers, you’ll need an external audio system or a set of stereo headphones to properly
monitor it. The following illustrations show various connection examples; use the one most similar to your intended setup.
monitor it. The following illustrations show various connection examples; use the one most similar to your intended setup.
Audio Output
■
Connecting stereo powered speakers (analog output)
For optimum, accurate reproduction of the instrument’s rich sounds, effects and full stereo image, use a pair of powered
speakers. Connect the powered speakers to the OUTPUT L/MONO and R jacks on the rear panel.
speakers. Connect the powered speakers to the OUTPUT L/MONO and R jacks on the rear panel.
n When using just one powered speaker, connect it to the OUTPUT L/MONO jack on the rear panel.
■
Connecting a mixer
There are extra audio outputs in addition to the OUTPUT (L/MONO and R) jacks. Connect these outputs to a mixer for separately
controlling the analog outputs of Drum keys or parts (Performance, Song, and Pattern). You can expand the output capabilities
by installing the optional I/O board (AIEB2) or the optional mLAN16E. Installing the AIEB2 adds six extra OUTPUT jacks, while
installing the mLAN16E expands the output capabilities with fourteen addition digital outputs, over a single FireWire (IEEE 1394)
connector/cable. For details on how to set the Part/output jack assignments, refer to the chart below.
controlling the analog outputs of Drum keys or parts (Performance, Song, and Pattern). You can expand the output capabilities
by installing the optional I/O board (AIEB2) or the optional mLAN16E. Installing the AIEB2 adds six extra OUTPUT jacks, while
installing the mLAN16E expands the output capabilities with fourteen addition digital outputs, over a single FireWire (IEEE 1394)
connector/cable. For details on how to set the Part/output jack assignments, refer to the chart below.
Outputting separate notes
(keys) of a Drum Voice
(keys) of a Drum Voice
Determined from the OutputSel parameter (as selected below) as Drum Voice data.
[VOICE]
➞
Drum Voice selection
➞
[EDIT]
➞
Drum Key selection
➞
[F1] OSC
➞
[SF2] OUTPUT
➞
OutputSel
This setting is available for the Part for which the OutputSel parameter is set to “drum” in another mode
(e.g., Performance or Song).
(e.g., Performance or Song).
Outputting separate Parts
of a Performance
of a Performance
Determined from the OutputSel parameter (as selected below).
[PERFORM]
➞
Performance selection
➞
[EDIT]
➞
Part selection
➞
[F2] OUTPUT
➞
[SF3] SELECT
➞
OutputSel
Assigning an audio input Part of a Performance to an output is done from the OutputSel parameter (as selected
below).
below).
[PERFORM]
➞
Performance selection
➞
[EDIT]
➞
[COMMON]
➞
[F5] AUDIO IN
➞
[SF1] OUTPUT
➞
OutputSel
Outputting separate Parts
of a Song
of a Song
Determined from the OutputSel parameter (as selected below).
[SONG]
➞
Song selection
➞
[MIXING]
➞
[EDIT]
➞
Part selection
➞
[F2] OUTPUT
➞
[SF3] SELECT
➞
OutputSel
Assigning an audio input Part of a Song to an output is done from the OutputSel parameter (as selected below).
[SONG]
➞
Song selection
➞
[MIXING]
➞
[EDIT]
➞
[COMMON]
➞
[F5] AUDIO IN
➞
[SF1] OUTPUT
➞
OutputSel
Outputting separate Parts
of a Pattern
of a Pattern
Determined from the OutputSel parameter (as selected below).
[PATTERN]
➞
Pattern selection
➞
[MIXING]
➞
[EDIT]
➞
Part selection
➞
[F2] OUTPUT
➞
[SF3] SELECT
➞
OutputSel
Assigning an audio input Part of a Pattern to an output is done from the OutputSel parameter (as selected below).
[PATTERN]
➞
Pattern selection
➞
[MIXING]
➞
[EDIT]
➞
[COMMON]
➞
[F5] AUDIO IN
➞
[SF1] OUTPUT
➞
OutputSel
MUSIC PRODUCTION SYNTHESIZER
MOTIF ES
OUTPUT L/MONO
OUTPUT R
PHONES
Powered speaker (Left)
Powered speaker (Right)
Headphones