Roland V-Synth GT Guia De Configuração Rápida

Página de 56
29
O
v
er
view
Basic operation
Pla
ying sounds
Cr
eating sounds
Index
Violin phrase model
The characteristics of the violin include “bow movement,” “fi nger movement,” and “double-stop.” 
This phrase model will express legato, tenuto, slurs, and double-stops. The model also expresses
the lingering resonances of the strings and body when you stop the sound, and adds various
other noises.
Select preset patch number 302.
→ “Selecting a patch” (p. 24)
In order to make the eff ect of AP-Synthesis easy to understand, this patch matches the
“Violin phrase model” with a “Violin waveform.”
Play a melody on the keyboard.
key
If you play legato (without allowing breaks between notes), the sound 
wi
will change smoothly.
-defi ned breaks between notes), or with varying degrees of force.
breaks be
Try playing staccato (with clearly-
y-
e respond in the way that is typical of a violin.
th
Notice that the pitch and volume
e
oard, move the modulation lever away from 
ve
While playing the keybo
o
yourself.
be ap
pplied.
Dynamics and vibrato eff ects will
ll 
o produce the same eff ect.
duce the same
You can also use aftertouch tto
holding down the [S1] button.
lding down t
Play the keyboard while
tton, your playing will have the distinctive tremolo of a violin.
, your playing will 
While you hold down the [S1] but
ut
Play the keyboard while holding down the [S2] button.
ding down
le
While you hold down the [S2] button, your playing will be pizzicato.
The operation of [S1] and [S2] can be assigned in Patch Common. For details, refer to 
“Editing a Tone (Pro Edit)” in the owner’s manual.
Play the keyboard while holding down the foot switch.
When you play legato (without allowing breaks between notes), the distinctive portamento eff ect 
of a violin will be applied.
1.
*
2.
3.
*
4.
5.
*
6.
The V-Synth GT’s AP-Synthesis is generally for solo (monophonic) sounds. However, de-
pending on how you play it, the violin VariPhrase model can produce up to four notes of 
polyphony in order to simulate the sound of a violin’s four strings.