Yamaha CVP-203 Manual Do Proprietário
Using Your Clavinova with Other Devices
149
CVP-205/203
The “controller” and “tone generator” in the illustration
above are equivalent to the piano in our acoustic
example. Here, the player’s performance on the keyboard
is captured as MIDI song data (see illustration below). In
order to record the audio performance on an acoustic
piano, special recording equipment is needed. However,
since the Clavinova features a built-in sequencer that lets
you record performance data, this recording equipment is
unnecessary. Instead, your digital instrument — the
Clavinova — allows you to both record and play back the
data.
above are equivalent to the piano in our acoustic
example. Here, the player’s performance on the keyboard
is captured as MIDI song data (see illustration below). In
order to record the audio performance on an acoustic
piano, special recording equipment is needed. However,
since the Clavinova features a built-in sequencer that lets
you record performance data, this recording equipment is
unnecessary. Instead, your digital instrument — the
Clavinova — allows you to both record and play back the
data.
However, we also need a sound source to produce the
audio, which eventually comes from your speakers. The
tone generator of the Clavinova fills this function. The
recorded performance is reproduced by the sequencer,
playing back the song data, using a tone generator
capable of accurately producing various instrument
sounds — including that of a piano. Looked at in another
way, the relation of the sequencer and the tone generator
is similar to that of the pianist and the piano — one plays
the other. Since digital instruments handle playback data
and the actual sounds independently, we can hear our
piano performance played by another instrument, such as
guitar or violin.
audio, which eventually comes from your speakers. The
tone generator of the Clavinova fills this function. The
recorded performance is reproduced by the sequencer,
playing back the song data, using a tone generator
capable of accurately producing various instrument
sounds — including that of a piano. Looked at in another
way, the relation of the sequencer and the tone generator
is similar to that of the pianist and the piano — one plays
the other. Since digital instruments handle playback data
and the actual sounds independently, we can hear our
piano performance played by another instrument, such as
guitar or violin.
Finally, we’ll take a look at the actual data that gets
recorded and that serves as the basis for playing the
sounds. For example, let’s say you play a “C” quarter note
using the grand piano sound on the CVP-205/203
keyboard. Unlike an acoustic instrument that puts out a
resonated note, the electronic instrument puts out
information from the keyboard such as “with what voice,”
“with which key,” “about how strong,” “when was it
pressed” and “when was it released.” Then each piece of
information is changed into a number value and sent to
the tone generator. Using these numbers as a basis, the
tone generator plays the stored sampled note.
recorded and that serves as the basis for playing the
sounds. For example, let’s say you play a “C” quarter note
using the grand piano sound on the CVP-205/203
keyboard. Unlike an acoustic instrument that puts out a
resonated note, the electronic instrument puts out
information from the keyboard such as “with what voice,”
“with which key,” “about how strong,” “when was it
pressed” and “when was it released.” Then each piece of
information is changed into a number value and sent to
the tone generator. Using these numbers as a basis, the
tone generator plays the stored sampled note.
■ Example Keyboard Data
Panel operations on the CVP-205/203, such as playing the
keyboard and selecting voices, are processed and stored
as MIDI data. The auto accompaniment styles and songs
also consist of MIDI data.
keyboard and selecting voices, are processed and stored
as MIDI data. The auto accompaniment styles and songs
also consist of MIDI data.
MIDI is an acronym that stands for Musical Instrument
Digital Interface, which allows electronic musical
instruments to communicate with each other, by sending
and receiving compatible Note, Control Change, Program
Change and various other types of MIDI data, or
messages.
The CVP-205/203 can control a MIDI device by
transmitting note related data and various types of
controller data.The CVP-205/203 can be controlled by
incoming MIDI messages which automatically determine
the tone generator mode, select MIDI channels, voices
and effects, change parameter values and of course play
the voices specified for the various parts.
Digital Interface, which allows electronic musical
instruments to communicate with each other, by sending
and receiving compatible Note, Control Change, Program
Change and various other types of MIDI data, or
messages.
The CVP-205/203 can control a MIDI device by
transmitting note related data and various types of
controller data.The CVP-205/203 can be controlled by
incoming MIDI messages which automatically determine
the tone generator mode, select MIDI channels, voices
and effects, change parameter values and of course play
the voices specified for the various parts.
MIDI messages can be divided into two groups: Channel
messages and System messages.
messages and System messages.
■ Channel Messages
The CVP-205/203 is an electronic instrument that can
handle 16 channels (or 32 channels, when using the TO
HOST terminal). This is usually expressed as “it can play
16 instruments at the same time.” Channel messages
transmit information such as Note ON/OFF, Program
Change, for each of the 16 channels.
handle 16 channels (or 32 channels, when using the TO
HOST terminal). This is usually expressed as “it can play
16 instruments at the same time.” Channel messages
transmit information such as Note ON/OFF, Program
Change, for each of the 16 channels.
Tone generator
Sequencer
Keyboard performance
(MIDI data)
Even though it is a single musical instrument, the Clavinova can be
thought of as containing several electronic components: a control-
ler, a tone generator, and a sequencer.
thought of as containing several electronic components: a control-
ler, a tone generator, and a sequencer.
Voice number (with what voice)
01 (grand piano)
Note number (with which key)
60 (C3)
Note on (when was it pressed)
and
note off (when was it released)
and
note off (when was it released)
Timing expressed numerically
(quarter note)
(quarter note)
Velocity (about how strong)
120 (strong)
Message Name
CVP-205/203 Operation/Panel Setting
Note ON/OFF
Messages which are generated when the
keyboard is played. Each message includes
a specific note number which corresponds
to the key which is pressed, plus a velocity
value based on how hard the key is played.
keyboard is played. Each message includes
a specific note number which corresponds
to the key which is pressed, plus a velocity
value based on how hard the key is played.
Program Change
Voice selecting (control change bank select
MSB/LSB setting)
MSB/LSB setting)
Control Change
Volume, panpot (Mixing Console), etc.
MIDI data has the following advantages over audio data:
• The amount of data is much less, letting you easily store MIDI
• The amount of data is much less, letting you easily store MIDI
songs to floppy disk.
• The data can be effectively and easily edited, even to the point of
changing voices and transforming the data.
The performance data of all songs and styles is handled as MIDI
data.
data.