Antares auto-tune-for tdm and vst Manual Do Utilizador
Auto-Tune UserÕs Manual
7
CHAPTER 1
Getting Started
A few words from Dr. Andy
I remember, as if it were yesterday, sitting in my junior high school band, happily
playing away on my ßute, when I noticed that our conductor was screaming and
jumping up and down on the podium. What was this about? Suddenly, I realized she
was screaming at me. And just in time too Ñ since I was able to duck and watch a
baton ßy past my head, missing me by inches. ÒWhy [expletive] canÕt you play in
tune?Ó she asked. But I was in tune. Everybody else was out of tune. It was then I
began to learn about intonation.
playing away on my ßute, when I noticed that our conductor was screaming and
jumping up and down on the podium. What was this about? Suddenly, I realized she
was screaming at me. And just in time too Ñ since I was able to duck and watch a
baton ßy past my head, missing me by inches. ÒWhy [expletive] canÕt you play in
tune?Ó she asked. But I was in tune. Everybody else was out of tune. It was then I
began to learn about intonation.
Many artists struggle with intonation. An entire concert can be spoiled by a single
sour note. Many of our most celebrated entertainers spend hours in the studio doing
retake after retake, trying to sing expressively and in tune. Afterwards, their produc-
ers spend yet more time trying to correct intonation problems using inadequate tools.
sour note. Many of our most celebrated entertainers spend hours in the studio doing
retake after retake, trying to sing expressively and in tune. Afterwards, their produc-
ers spend yet more time trying to correct intonation problems using inadequate tools.
Auto-Tune is dramatically changing all of that. Because of Auto-Tune, sessions can
focus on feeling and expression, rather than retakes. Studio hours are reduced and
production costs are lowered. Even artists in live performance situations can concen-
trate on interpretation, conÞdent that any pitch inaccuracies will be caught and cor-
rected before they make it out to the audience.
focus on feeling and expression, rather than retakes. Studio hours are reduced and
production costs are lowered. Even artists in live performance situations can concen-
trate on interpretation, conÞdent that any pitch inaccuracies will be caught and cor-
rected before they make it out to the audience.
WhatÕs more, Auto-Tune is incredibly easy to use (a fact attested to by the thinness of
this manual). So Þre up Auto-Tune, invest a half hour or so in reading the following
pages, and prepare to make intonation problems a thing of the past.
this manual). So Þre up Auto-Tune, invest a half hour or so in reading the following
pages, and prepare to make intonation problems a thing of the past.
Andy Hildebrand Ph.D.
Founder and Chief Scientist
andy@antarestech.com