Antares auto-tune 4 Manual Do Utilizador
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In the original performance, we can see that although the final note should
be centered around D, the vocalist allowed the tail of the note to fall
nearly three semitones flat. The “after” plot is the result of passing this
phrase through Auto-Tune 4’s Automatic Mode programmed to a D Major
Scale (with C # and B set to ”Remove”) and a Retune Speed setting of 25.
That Retune Speed causes the pitch center to be moved to D, while still
retaining the vibrato and expressive gestures. (Setting C # and B to ”Re-
move” is necessary to keep Auto-Tune 4 from trying to correct the seriously
flat tail of the last note to those pitches. See Chapter 3 for more details.)
be centered around D, the vocalist allowed the tail of the note to fall
nearly three semitones flat. The “after” plot is the result of passing this
phrase through Auto-Tune 4’s Automatic Mode programmed to a D Major
Scale (with C # and B set to ”Remove”) and a Retune Speed setting of 25.
That Retune Speed causes the pitch center to be moved to D, while still
retaining the vibrato and expressive gestures. (Setting C # and B to ”Re-
move” is necessary to keep Auto-Tune 4 from trying to correct the seriously
flat tail of the last note to those pitches. See Chapter 3 for more details.)
Graphical Mode
The Graphical Mode is similar to the Automatic Mode in that it also con-
tinuously tracks the pitch of the incoming sound and modifies the output
pitch to be closer to a desired pitch. But in the Graphical Mode, the desired
pitch is not a predefined scale tone, but rather is a graphical representation
of your desired pitch.
tinuously tracks the pitch of the incoming sound and modifies the output
pitch to be closer to a desired pitch. But in the Graphical Mode, the desired
pitch is not a predefined scale tone, but rather is a graphical representation
of your desired pitch.
As in Automatic Mode, the rate of change towards the desired pitch is
controlled by the Retune control.
controlled by the Retune control.