Antares auto-tune 4 Manual Do Utilizador
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NOTE: This function uses the same Stochastic Optimal Linear Estimation
Theory as the Auto Mode’s Improved Targeting function to attempt to
differentiate between vibrato and intended pitch changes. Therefore,
you can typically select a portion of your audio containing both vibrato
and intended pitch change and the Scale Vibrato function will scale the
vibrato while leaving the intended pitch changes alone. But again,
depending on the actual performance, sometimes this will work better
than others. If Scale Vibrato seems to be making changes to parts of
the audio you’d like to leave alone, simply Undo the scaling and use
the I-beam to select only the vibrato portions you wish to edit.
Theory as the Auto Mode’s Improved Targeting function to attempt to
differentiate between vibrato and intended pitch changes. Therefore,
you can typically select a portion of your audio containing both vibrato
and intended pitch change and the Scale Vibrato function will scale the
vibrato while leaving the intended pitch changes alone. But again,
depending on the actual performance, sometimes this will work better
than others. If Scale Vibrato seems to be making changes to parts of
the audio you’d like to leave alone, simply Undo the scaling and use
the I-beam to select only the vibrato portions you wish to edit.
TRACKING
The Graphical Mode Tracking control is
similar in function but separate from
the Tracking control in Automatic
Mode.
similar in function but separate from
the Tracking control in Automatic
Mode.
In order to accurately identify the pitch
of the input, Auto-Tune 4 requires a
periodically repeating waveform,
characteristic of a voice or solo instru-
ment. The Tracking control determines
how much variation is allowed in the
of the input, Auto-Tune 4 requires a
periodically repeating waveform,
characteristic of a voice or solo instru-
ment. The Tracking control determines
how much variation is allowed in the
incoming waveform for Auto-Tune 4 to still consider it periodic.
If you are working with a well-isolated solo signal (e.g., tracking in a studio
or off of a multi-track tape) you can typically set the Tracking control to 25
and forget it.
or off of a multi-track tape) you can typically set the Tracking control to 25
and forget it.
If, on the other hand, your signal is noisy or not well-isolated (as might be
more common in a live performance situation) or you are dealing with a
particularly breathy or guttural voice, it may be necessary to allow more
signal variation (higher Tracking numbers). However, under these circum-
stances tracking is not guaranteed and a too “relaxed” setting may intro-
duce distortion and popping.
more common in a live performance situation) or you are dealing with a
particularly breathy or guttural voice, it may be necessary to allow more
signal variation (higher Tracking numbers). However, under these circum-
stances tracking is not guaranteed and a too “relaxed” setting may intro-
duce distortion and popping.
The default Tracking value is 25. Double-clicking the Tracking knob will
reset it to that value.
reset it to that value.
NOTE: Be cautious about changing the Tracking value after performing
the Track Pitch function. Auto-Tune 4 uses the Tracking setting during
both the Track Pitch and the Correct Pitch functions. Changing the
Tracking setting after Tracking Pitch, but before Pitch Correction, may
result in unpredictable pitch modifications or strange (though possibly
interesting) artifacts.
the Track Pitch function. Auto-Tune 4 uses the Tracking setting during
both the Track Pitch and the Correct Pitch functions. Changing the
Tracking setting after Tracking Pitch, but before Pitch Correction, may
result in unpredictable pitch modifications or strange (though possibly
interesting) artifacts.