Yamaha MD8 Manual Do Utilizador
Using the MD8 with Another Mixer
85
MD8—Owner’s Manual
Using the MD8 with Another Mixer
In this system, the MD8 is used in conjunction with another mixer, in this case, a Yamaha
03D Digital Mixing Console. Track signals are fed to the 03D via the MD8’s DIRECT OUTs.
The 03D offers 4-band parametric EQ, two stereo multi-effects processors, scene memories,
and mix automation, which can be synchronized to the MTC or MIDI Clock coming from
the MD8, for fully automated mixing. In addition, MMC commands can be assigned to the
03D’s USER DEFINE buttons for remote MD8 control.
03D Digital Mixing Console. Track signals are fed to the 03D via the MD8’s DIRECT OUTs.
The 03D offers 4-band parametric EQ, two stereo multi-effects processors, scene memories,
and mix automation, which can be synchronized to the MTC or MIDI Clock coming from
the MD8, for fully automated mixing. In addition, MMC commands can be assigned to the
03D’s USER DEFINE buttons for remote MD8 control.
Track transfer
MD8 tracks can be transferred to a larger multitrack recorder as shown below.
Headphones
MIDI IN
INPUT 1–8
MIDI OUT
PHONES
PHONES
+10
–34
–60
–16
26dB
1
+10
–34
–60
–16
26dB
2
+10
–34
–60
–16
26dB
3
+10
–34
–60
–16
26dB
4
+10
–34
–60
–16
26dB
5
+10
–34
–60
–16
26dB
6
+10
–34
–60
–16
26dB
7
+10
–34
–60
–16
26dB
8
+10
–20
+10
9
GAIN
+10
–20
+10
10
GAIN
+10
–20
+10
11
GAIN
+10
–20
+10
12
GAIN
+10
–20
+10
13
GAIN
+10
–20
+10
14
GAIN
+10
–20
+10
15
GAIN
+10
–20
+10
16
GAIN
+10
–20
+10
ST IN
GAIN
GAIN
GAIN
GAIN
GAIN
GAIN
GAIN
GAIN
GAIN
10
0
SOLO/ 2TR IN
MONITOR
OUT
LEVEL
10
0
LEVEL
SCENE MEMORY
SETUP
CHANNEL CONTROL
FADER MODE
MIXING LAYER
1–16
17–24/MASTER
USER DEFINE
SOLO
RECALL
ENTER
L STEREO R
USER DEFINE
EFFECT RTN
ST IN
13–16
9–12
FADER 1–8
SCENE MEMORY
FUNCTION
SEL CH
FADER
STATUS
SCENE
MEMORY
MIDI
REMOTE
UTILITY
AUTOMIX
VIEW
HIGH
HI-MID
LO-MID
EQ LOW
AUX 1
FADER
EFFECT 1
EFFECT 2
AUX 2
AUX 3
AUX 4
EQ LIBRARY
SOLO SETUP
GROUP/PAIR
DYNAMICS
DELAY/Ø
PAN/ROUTING
MIDI
DIO
PARAMETER
CURSOR
STORE
UNDO/
REDO
REDO
CLIP
–3
–6
–9
–12
–15
–18
–24
–30
–36
–42
–48
SEL
ON
SEL
ON
SEL
ON
SEL
ON
SEL
ON
SEL
ON
SEL
ON
SEL
SEL
ON
ON
SEL
ON
SEL
ON
SEL
ON
SEL
ON
SEL
ON
SEL
ON
SEL
ON
SEL
ON
SEL
ON
SEL
ON
1
2
3
4
5
6
7
8
9
10
11
12
13
14
15
16
ST IN
EFFECT
RETURN
RETURN
ST OUT
17
18
19
20
21
22
23
24
AUX1
AUX2
AUX3
AUX4
BUS1
BUS2
BUS3
BUS4
1
2
3
4
5
6
7
8
9
10
11
12
13
14
15
16
ST IN
EFFECT
RETURN
RETURN
ST OUT
17
18
19
20
21
22
23
24
AUX1
AUX2
AUX3
AUX4
BUS1
BUS2
BUS3
BUS4
6
0
5
10
20
40
60
60
00
6
0
5
10
20
40
60
60
00
6
0
5
10
20
40
60
60
00
6
0
5
10
20
40
60
60
00
6
0
5
10
20
40
60
60
00
6
0
5
10
20
40
60
60
00
6
0
5
10
20
40
60
60
00
6
0
5
10
20
40
60
60
00
6
0
5
10
20
40
60
60
00
6
0
5
10
20
40
60
60
00
6
0
5
10
20
40
60
60
00
6
0
5
10
20
40
60
60
00
6
0
5
10
20
40
60
60
00
6
0
5
10
20
40
60
60
00
6
0
5
10
20
40
60
60
00
6
0
5
10
20
40
60
60
00
6
0
5
10
20
40
60
60
00
6
0
5
10
20
40
60
60
00
6
0
5
10
20
40
60
60
00
SOLO
1
2
PAD
EQ FLAT
METER
1
2
3
4
2
3
1
2
3
1
AC IN
THRU
OUT
MID
IN
POWER
ON OFF
ON OFF
LINE INPUT
AUX SEND
MONITOR OUT
STEREO OUT
MIC/LINE INPUT
TRACK DIRECT OUT
MIC/LINE
IN (BAL)
2
R
L
R
L
2TR IN
R
L
8
7
6
5
4
3
2
1
1
12
11
10
9
8
7
6
5
4
3
2
2
1
1
1: GMD 2: HOT 3: COLD
ON OFF
PHANTOM
DC48V
MAX. 7mA
MAX. 7mA
INSERT I/O
INSERT I/O
2
3
1
2
3
1
AC IN
THRU
OUT
MID
IN
POWER
ON OFF
ON OFF
LINE INPUT
AUX SEND
MONITOR OUT
STEREO OUT
MIC/LINE INPUT
TRACK DIRECT OUT
MIC/LINE
IN (BAL)
2
R
L
R
L
2TR IN
R
L
8
7
6
5
4
3
2
1
1
12
11
10
9
8
7
6
5
4
3
2
2
1
1
1: GMD 2: HOT 3: COLD
ON OFF
PHANTOM
DC48V
MAX. 7mA
MAX. 7mA
INSERT I/O
INSERT I/O
8-track digital multitrack